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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Batter up: Jam @Finborough

No doubt there are days when teachers just wish they had a baseball bat to put a little bit of distance between themselves and their students.

In Jam by Matt Parvin, teacher Bella Soroush is lucky enough to do just that. It's currently playing at the Finborough Theatre.

The premise in this two-hander is that ex-pupil Kane ruined Bella Soroush's life. Something happened and so she moved schools, moved towns and got on with her life. But now Kane has tracked her down and claims they have unfinished business.

With all this potential for malevolence, you never get a sense of any real peril facing either character.  An uneasy soundtrack underscores the proceedings, but as the piece wears on it's hard to understand where the drama is.

One of Kane's past atrocities amounted to bringing a smelly cheese board to school. And Bella doesn't like smelly cheese. At this point you could be forgiven for thinking Bella is a touch neurotic.

There isn't much time to explore why British school standards lag behind many other developed countries. Nor does it equip the nation for the skills it needs given its heavy reliance on immigrants (at least for now). Perhaps the answer lies in the pointless discussions that take place here.

But even if the story doesn't add up to much Jasmine Hyde as Bella and Harry Melling as Kane are terrific to watch.

Melling's Kane is a bit of a man-child. Alternating between stand over man and schoolboy, you get the sense he realises the best years of his life (being at school causing trouble) are behind him.

Hyde is a revelation as she shifts from being a victim to being yet another teacher with dubious motives for entering the profession.

Directed by Tommo Fowler, Jam is at Finborough Theatre until 17 June.


Photos by Matthew Foster

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