Featured Post

Bear with me: Sun Bear @ParkTheatre

Image
If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Flipping memories: Catch Me @FlipFabriQue @UnderbellyFest


It's the start of summer. The weather's hot and the Underbelly Festival at the South Bank Centre is opening with its usual eclectic mix of circus acts, comedy and cabaret. And Flip FabriQue's Catch Me fits this bill well.

There is beauty and fluidity in the performances. The premise is that ten years later a bunch of friends reunite for another weekend at a cottage together. They play. They have fun. And they do strange and unusual things with straps, trampolines and diablos.




Quebec-based Flip FabriQue brings together circus artists to tell stories drawn from their own experiences. With a backdrop of a cottage the acrobat routines evoke memories of the past and a spirit of playfulness.

A squeaking Bruno Gagnon is soon flipping through the air. Hugo Ouellet Côté on straps is looking at a photobook. Camila Comin and Yann Leblanc soon become intertwined on a Cyr Wheel. It's amazing to watch.



Underbelly is continuing with its reputation for bringing the best circus acts to the South Bank summer. And this had me recalling past years with Circa and Gravity and Other Myths.

Perhaps those productions were a little sharper and focused. Not every scene works here which makes the show drag at times.

There is an interlude in sleeping bags that seems out of place. Another segment with exercise balls and Barry Manilow's Copacobana seemed less impressive. It's probably not a good idea to use that as a backing track. It's too much of a distraction. Either half the audience want to sing along while the other half want to cover their ears.

Still it's hard not to like a show which features an ice-lolly eating competition and duelling diablos (not the sexy one's we're used to). There is also some incredible high energy trampolining to close the evening.

Directed by Olivier Normand, Flip FabriQue: Catch Me is at the Underbelly Festival at the South Bank Centre until 9 July.

⭐︎⭐︎⭐︎



Photos by Richard Davenport.








Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre