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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Rubbing the wrong way: The Red Lion @Trafstudios


Patrick Marber commented that his play The Red Lion dramatises something about England. One part is about community and belonging, and the other part is about business. But it also could be about not being terribly good at the sport, either in playing it or managing it unless you're importing it. It's currently playing downstairs at Trafalgar Studios.

It's a locker room comedy-drama set in a semi-professional football club in the north. Kidd (Stephen Tompkinson) as manager has spotted Jordan's (Dean Bone) potential and puts him on as a reserve. But his real plan is to transfer him to another team. With a transfer, he and the club stands to gain financially.


Yates (John Bowler) was initially a great player for the team but now is reduced to preparing the team's kit. Over a rub down, he explains he wants to be a mentor to Jordan and understand the history and traditions of the club.

Alas neither Kidd nor Yates realise until its too late that their protege - despite his apparent unwillingness to bend any rules - is not who he seems to be.  Life (and injuries) get in the way.

It's fun watching the three men spar over football, traditions ambition and business. The performances are strong and there's a nice balance between humour and tragedy here as things don't go to plan despite all their best intentions.

The locker room drama The Red Lion works well in the downstairs space of Trafalgar Studios. As you walk in Yates is ironing the kit. It feels like you're in the locker room of some enduring club. In a way you are.

Directed by Max Roberts, The Red Lion is at Trafalgar Studios until 2 December

⭐︎⭐︎⭐︎⭐︎


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