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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Mad as hell and serving Cava: Derailed @Ovalhouse

Sometimes the best laid plans go awry. But when life gives you lemons make lemonade. Or in the case of Derailed at Oval House, make gazpacho. And serve Cava. 

The premise is that in the post-Brexit UK, they are heading back to Spain. But rather than leave downtrodden and defeated, they’re going to stage the mother of all leaving parties. 

The music blares, the party poppers fly and the party begins.

The piece opens with a series of photos from Patricia and Mercè‘s 12 years living in the UK. With the grey skies and dismal towns you start thinking Brexit wasn’t the only reason for their decision to leave.

And with a series of improvised scenarios you’ll find yourself live tweeting a petition, having a long hug with a complete stranger. Or wearing an unconvincing wig holding a banner protesting something. Along they way they chart some of their life in London and in Spain. 

The premise of Patricia Rodríguez and Mercè Ribot‘s work is to use physical theatre and improvision to create something funny and engaging. It’s sometimes silly but it’s always fascinating to watch.

Here they have turned 12 years of struggle into a celebration about what is great about life. Wherever you may be. And although the party in London may be ending, you get a sense they’ll continue the  party wherever they go.

Derailed is at Oval House Theatre as part of there Spring Season. It concludes on 3 March. Next up is This Restless State where in 2052 Europe is ravaged by a continental war and a referendum. The season concludes with Coconut, a comedy that challenges assumptions about Islam with a modern Muslim woman looking for love. 

⭐️⭐️⭐️⭐️

Photos by Ben MacIntosh

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