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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Brief transactions: The Cloakroom Attendant @Tristanbates

The Cloakroom Attendant is a mediation on the ordinary among the extraordinary. It concludes this evening at the Tristan Bates Theatre.

Set deep below a prestigious gallery of national importance. In the basement lies the cloakroom. It’s a place where dreams, fashion and items larger than a small bag need to be left. It’s a ritual and an obligation before viewing the masterpieces high above. 

And of course being a job in London it’s a role that’s filled by a young European national, Dimitra Barla. Over qualified and over from Greece. Fluent in four languages.  She watches the people and their belongings while contemplating her own life and choices.

This solo show brings to life Barla’s experiences working as a cloakroom attendant. She provides a museum-like categorisation and classification of visitors. And along the way she also imagines and reimagines her own life and the artefacts around her. 

Alternatively funny and mysterious, objects and artefacts intertwine with her own dreams. Barla captivates with her storytelling even if you’re not always clear what it is she’s talking about. But does anyone listen to what the cloakroom attendant is telling you. You give them your stuff and then take your ticket before moving on. A brief transaction takes on so many possibilities here.

A short piece and part of the Camden Fringe, it concludes it’s run at the Tristan Bates Theatre tonight 4 August.

⭐️⭐️⭐️⭐️

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