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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Taking the moral high ground: Super Duper Close Up @Yardtheatre

In Super Duper Close Up, Jess Latowicki is seven minutes early to a meeting. It’s a meeting that could give her work. I never arrive early to meetings so I figured this is a chance to find out what early arrivers do to pass the time. During this time, between taking the moral high ground for arriving early, she starts talking about her life and where it’s gone all wrong. It’s theatre we can all relate to. Funny, moving and often bizarre, it’s currently playing at The Yard Theatre.

Latowicki with her robotic-like rapid fire delivery often feels like she’s a stand up comedian talking about her life. She gives phrases like “think pieces” and “scrolling” specific hand gestures so that they stick in your mind.

Everything is filmed and projected. It’s like you’re trapped inside in an Instagram story or someone’s live feed on social media. At one point she moves into the audience. Then she takes someone to show her detailed beauty regime. A regime that’s described in French as it sounds more convincing.

As the monologue progresses, and she continues to wait for her meeting, fragments of her life enter her mind. Soon her moral high ground for being early and knowledge of Botox and dermabrasion gives way to darker thoughts. She worries about her next freelance job, whether she is sick. Or is she beautiful enough? And does her strong opinions and moral high ground make her palatable enough in today’s market. Whatever that market might be.

For most of the piece Latowicki is in a satin green dress. She wears it like a suit of armour. And with a set that consists of a furry pink rug, disco ball and a glitter curtain it gives a bizarre otherworldly appearance.

Created and performed by Jess Latowicki, Super Duper Close Up is at the Yard Theatre until 24 November.

⭐️⭐️⭐️⭐️

Photos by John Hunter

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