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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Chasing stars: Chasing Bono @Sohotheatre

You’re never left doubting why Neil McCormick didn’t reach the mega stardom of his mate Bono from U2 in Chasing Bono. Bad luck and an endless search for that hit sound (rather than a unique one) seemed to mark his career. But in this contrived play you never really get the sense of his talent as a writer either. It’s current playing at Soho Theatre.

The premise is that Neil (played by Niall McNamee) is kidnapped by a ganster Danny Machin (Denis Conway). Ganster Danny wants him to write some favourable stories, while being held on some remote Irish farm. While doing so he recounts in flashback his short life and how his quest for stardom led to failure.

There’s not much insight into what makes a hit band here. Instead Neil comes across as a man obsessed by fame over anything else, including writing a decent song. Which makes it a bit difficult to care about the him or the story. And afterall if failure means you’re destined to become the chief music critic for a major national newspaper, life can’t be that bad.

The best parts are when the Conway and his muscle, Plugger (Ciarán Dowd), are on stage. They’re hilarious as they sit down Neil for the flashbacks as if they’re running a therapy session. But you also get the sense that they’re superfluous to the story that’s trying to be told.

There’s many characters here in this piece, including Bono (played uncannily by Shane O’Regan). But they only serve to confuse the focus of the piece.

Still it’s nicely acted. And there’s some great live music (including U2’s I Still Haven’t Found What I’m Looking For). Max Dorey’s set is a delight doubling for a hideout and various flashback locations.

Directed by Gordon Anderson, Chasing Bono is at the Soho Theatre 19 January


⭐️⭐️⭐️

Photos by Helen Maybanks

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