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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Come fly with me: Cuzco @Theatre503


An acquaintance came back from a holiday in Thailand recently. On his return he announced he was separating from his Spanish girlfriend. As I was watching Cuzco at Theatre 503 I was hoping the end of his affair wasn't anything like this. This is a provocative and fascinating piece about relationships and mind games in the the era of globalised tourism.

We're introduced to this Spanish couple in a bland hotel room in Cuzco. We don't know their names. She (Dilek Rose) is wearing sunglasses as she says she has a migraine. He (Gareth Jones) is wanting to go out and explore the city. But what seems like simple altitude sickness gives way to some more susbstantial. Soon angry politics, a failing relationships and colonisation is the focus of the discussion.

This two hander builds in intensity to an uneasy finale. A trip intended to escape the cracks in their relationship only serves to expand the divide between the two. Both Rose and Jones give an intimate intensity to a couple lost among the bland hotel rooms and template sights.

Max Pappenheim's sound design adds to the horrors. With it's clash of traditional and western music and creepy effects of a couple trapped in a both a tourist trap and one of their own creation. This is no  happy tale of taking off to Peru...

Víctor Sánchez's piece translated by William Gregory came about after a meeting between the two in 2016. The translation retains much of the poetry of the Spanish original. At times this can feel distracting but the message remains powerful can be jarring but the message remains provocative.

Directed by Kate O'Connor, Cuzco is at Theatre 503 until 16 February.

⭐️⭐️⭐️⭐️



Photos by Holly Lucas

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