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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Animal Urges: Awkward Conversations with Animals I F*cked @kingsheadthtr


Awkward Conversations with Animals I’ve F*cked certainly has an evocative and attention-grabbing title. There’s also an animal-like performance by Linus Karp. He’s part awkward young man, part woodland creature and so he holds your attention. But once you realise the animals are real the rest becomes a letdown. It’s less awkward conversations and more repetitive conversations. The species changes but it’s the same story. It’s currently playing at Kings Head Theatre. 

It opens in what looks like a student dorm room. Dirty sheets, dirty clothes and food are strewn across the floor. And Bobby is lying there on the bed. It’s the morning after the night before. And then he starts talking. Soon you realise that the trying on the dog collar is not quite role-playing. 



Next, he moves on to conversations with cats. Then sheep, monkeys and bears. Sure the conversations touch on his life and loneliness. There’s a hint about mental illness. But none of this is particularly convincing. The attempt to highlight some form of double standard re the treatment of animals and what’s socially acceptable regarding sex was unintentionally funny. And seemed to draw awkward silence from the audience rather than laughs. I was hoping that he’d contract anthrax or some sort of interesting bacterial infection after one of the encounters. At least that would give some perspective to the scenes. 

This show was a hit at Edinburgh. It’s the kind of high-concept, edgy sort of thing people seek out there. But removed from this context it seems like a curiosity more than a comedy. 

Directed by Katherine Armitage, Awkward Conversations with Animals I’ve F*cked is at the Kings Head Theatre until 27 April.

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Photos by Simon J Webb

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