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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Space travel’s a drag: Escape From Planet Trash @ThePleasance



The Pleasance Theatre is transformed into a dump with Sink The Pink’s Escape From Planet Trash. A high-concept, camp yet environmentally friendly take on the traditional pantomime. It’s environmentally friendly as jokes were either recycled or used sparingly. But it’s hard not to like a show that puts drag queens in space in search of trash.

Set a few decades into the future, a queer space exploration team go in search of some discarded materials on Planet Trash that they believe will help their mission. At least I think that’s what was the point. The plot wasn’t always easy to follow due to poor sound quality.

But while on Plant Trash they stumble upon Ginger Johnson and her son (Davina Cumming), the last remaining humans on the doomed planet. And the doomed world turns out to be the former planet Earth which is now floating about in an interplanetary graveyard. Meanwhile, there is some sort of evil force lurking around as it turns out the Christmas is coming.

While there were some genuinely funny moments, for a comic pantomime it felt a bit of a downer. There were long stretches with few laughs and few pantomime conventions. Perhaps the attempt at an environmental message was misplaced. The choice of music seemed tired since it was mostly from the last century. Things get a lot better in the second half, but it really underscores the piece is overlong and under-developed.

Strangely enough, the audience seemed far more familiar with the catchphrases of some of the performers. And the elaborate (albeit creaky) sets were inspired. But if you are unfamiliar with the output of the performers, it’s more of a bewildering Christmas pantomime experience rather than an alternative one.

Directed by Ginger Johnson with musical direction by Sarah Bodalbhai, Escape From Planet Trash is at The Pleasance until 22 December.

⭐️⭐️⭐️


Photos by Ali Wright

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