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Death becomes her: A Brief List Of Everyone Who Died @finborough

For a natural process, death is not a topic that comes up naturally for people. We ask how people are doing but expect the response to be “I’m great”, not “I’m not dead yet”. And so for the main character in A Brief List of Everyone Who Died, Graciela has a death issue. Starting with when she was five and found out only after the matter that her parents had her beloved dog euthanised. So Graciela decides that nobody she loves will die from then on. And so this piece becomes a fruitless attempt at how she spends her life trying to avoid death while it is all around her. It’s currently having its world premiere  at the Finborough Theatre . As the play title suggests, it is a brief list of life moments where death and life intervene for the main character, from the passing of relatives, cancer, suicides, accidents and the loss of parents. Playwright Jacob Marx Rice plots the critical moments of the lives of these characters through their passing or the passing of those around them. Howeve

Sinewy encounters: Meat @theatre503

Meat is an engaging exploration of relationships power and consent by writer Gillian Greer. Characters are cut and dissected like the animal carcasses hanging in the background of this production. With emotionally engaging performances, it's a gripping take on modern relationships and reconciliation with the past. It's currently playing at Theatre 503.

It is set in a concept restaurant where meat is the only thing on the menu (vegetarians and vegans can go fuck off). There are simple table settings and fine wine. And some animal carcasses in the background. It's a hot spot to go to in Dublin (well butcher restaurants are fashionable in London anyway). Max (India Mullen), a blogger and writer is there to meet the owner and ex-boyfriend Ronan (Sean Fox). She's there to tell him that she's put in her forthcoming book an account of the night she was sexually assaulted by him. But she's also there wanting answers.

From the start, the expectations are misaligned. Ronan thinks she is there to show her regret for breaking up with him and he wants to show off how far he's come. But Max is there to inform him she is putting an encounter from their past in her new book. And also ask why he raped her.

It's a subtle and nuanced piece of writing where over a series of courses and scenes the conversations veer from happier times to trauma. The food and drink are either thrown to the floor or smeared on the walls. It highlights the messiness of the night and what the two are navigating.

Mullen is compelling as the initially self-assured Max who transforms over the piece. Fox is a revelation as he projects both the successful restauranteur and lad can throw a table across the room.

Alongside the couple is the restaurant manager and new partner of Ronan, Elinor Lawless. She initially serves as the comic relief, but she's also the validation for what transpires.

Directed by Lucy Jane Atkinson, Meat is at Theatre 503 until 14 March.


Photos by Alex Brenner

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