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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Sinewy encounters: Meat @theatre503

Meat is an engaging exploration of relationships power and consent by writer Gillian Greer. Characters are cut and dissected like the animal carcasses hanging in the background of this production. With emotionally engaging performances, it's a gripping take on modern relationships and reconciliation with the past. It's currently playing at Theatre 503.

It is set in a concept restaurant where meat is the only thing on the menu (vegetarians and vegans can go fuck off). There are simple table settings and fine wine. And some animal carcasses in the background. It's a hot spot to go to in Dublin (well butcher restaurants are fashionable in London anyway). Max (India Mullen), a blogger and writer is there to meet the owner and ex-boyfriend Ronan (Sean Fox). She's there to tell him that she's put in her forthcoming book an account of the night she was sexually assaulted by him. But she's also there wanting answers.

From the start, the expectations are misaligned. Ronan thinks she is there to show her regret for breaking up with him and he wants to show off how far he's come. But Max is there to inform him she is putting an encounter from their past in her new book. And also ask why he raped her.

It's a subtle and nuanced piece of writing where over a series of courses and scenes the conversations veer from happier times to trauma. The food and drink are either thrown to the floor or smeared on the walls. It highlights the messiness of the night and what the two are navigating.

Mullen is compelling as the initially self-assured Max who transforms over the piece. Fox is a revelation as he projects both the successful restauranteur and lad can throw a table across the room.

Alongside the couple is the restaurant manager and new partner of Ronan, Elinor Lawless. She initially serves as the comic relief, but she's also the validation for what transpires.

Directed by Lucy Jane Atkinson, Meat is at Theatre 503 until 14 March.

⭐️⭐️⭐️⭐️

Photos by Alex Brenner

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