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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

The elephant in the room: Elephant’s Graveyard @TheProdExch


Saturday is the last day to catch the live stream of Elephants Graveyard. It's a title that piqued my interest, assuming that it was about a bar where old people go and drink.

But it's not that. Instead, it's a combination of oral history, legend and direct to camera straight-faced explanation of the only known lynching of an elephant. Adapted well to the world of COVID with sharp cuts, circus-themed backdrops and the now-familiar multiple camera squares of video streams. 

It's not live theatre, but it's a welcome online diversion with an entertaining story that explores spectacle, violence, rumours and revenge. All the things that seem to be near and dear to our hearts at the moment. 

Written by George Brant, it is set in 1914 in a small forgotten town in Tennessee where people were bored. So a circus coming to town was a chance to escape boredom and have some fun. But during the parade and freak accident happens. Soon rumours are spreading that culminates in this strange form of retribution. 

The ensemble, speaking directly to the camera, brings a series of conflicting stories to life and gives you a sense of the time and place. But most of all it's great to see stories can continue to be told while theatres remain shut and the creative industries are struggling to survive.  

From the The Production Exchange. The Production Exchange is also a charity, which aims to support early-career practitioners through developing skills and access to resources. You can find more about the charity and donate on their website.

Directed by Colin Blumenau, Elephant's Graveyard concludes streaming today. 

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