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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Thinking out loud: 10 Nights @Bushtheatre

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Shahid Iqbal Kahn's 10 Nights, currently playing at the studio space of the Bush Theatre, is about what happens when a young, carefree British Muslim man spends the last ten nights of Ramadan in a mosque. But it isn't a story about religion or radicalisation. It is a more straightforward journey.

Yasser (Zaqi Ismail) gets around in a tracksuit and sandals. He likes a drink, and he loves chips. A reluctant participant in the i'tikaf, he did it for his father and to honour his friend who died in a car accident. The reasons for the accident become more evident as the story progresses.

Left alone for long periods between prayers and fasting, it becomes the inner monologue of Yasser. And as the days progress with only his thoughts and a few smug fellow worshippers to keep him company, he realises he has to face up to a few things.


What it may lack in drama is made up in the detailed characterisations by Ismail of his father and friends at the mosque. There are also enough explanations about the prayers and Allah's 99 names for those unfamiliar with the religion to keep up. 

The production is a Graeae and Tamasha co-production that uses British Sign Language and captions alongside the performances. It's a simple staging but what is engaging is the storytelling and the scene-setting through both the detailed descriptions and Ismail's performance.

Directed by Kash Arshad, 10 Nights is at the Bush Theatre until 6 November. All performances are audio described, use British Sign Language and are performed in a relaxed environment. 

⭐️ ⭐️ ⭐️ ⭐️


Photos by Ali Wright 


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