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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Pretend it’s a good life: The Marriage of Alice B Toklas by Gertrude Stein @JSTheatre


It’s tempting to write about The Marriage of Alice B Toklas by Gertrude Stein, which is actually by Edward Einhorn since the former is the title of the play, pretending to be Edward Einhorn who is pretending to be Gertrude Stein. Therefore, I would have to pretend to be Einhorn pretending to be Stein pretending not to be a theatre writer covering the proceedings. But in the interests of clarity and sanity. I won’t be pretending anything further. Except to pretend I was familiar with the works of Stein, which also after seeing this piece, I feel I don’t have to pretend as much. 

The novelty of this play, where everything is in the style of Stein, will either amuse or irritate, probably depending on how familiar you are with the works of Stein or willing to embrace them. And the basic facts of their lives are there. However, within the circular dialogue, a story emerges of a woman in the shadows of a genius. It’s making its covid delayed premiere at the Jermyn Street Theatre


The short piece focuses on the life of Gertrude Stein (Natasha Byrne) and Alice B Toklas (Alyssa Simon) and their circle of friends who frequented their Parisian salon. Their friends included Picasso, Hemingway and James Joyce. Artists and other geniuses would frequently stop by to talk as geniuses wont to do about how they were geniuses. Alice, however, was not a genius. She spent most of her time with the wives of geniuses and to her thoughts. 

Playing a host of geniuses, wives and mistresses of geniuses and other hangers-on are Mark Huckett, Kelly Burke and a resourceful stage manager. There’s also a fun set with title cards suggesting everything is a high spirited laugh. But it’s as if this show pretending to be a farce dares you to be distracted from the actual event, which is the life and compromises of Alice, living in the shadow of her more notable partner.  

Simon, repeating her Off-Broadway performance as Alice, holds the piece together with her understated and as Alice. Her quiet reflections and casual comments give the piece so much of its clarity. Even if much of the facts are pretend, the desire for freedom and acceptance is universal. 

Written and directed by Edward Einhorn, The Marriage of Alice B Toklas by Gertrude Stein plays pretend at the Jermyn Street Theatre until 16 April. 

⭐️⭐️⭐️⭐️



Photos by Ali Wright


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