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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Christmas Mysteries: A Sherlock Carol @MaryleboneTHLDN


A mash-up of Charles Dickens's A Christmas Carol and Arthur Conan Doyle's Sherlock Holmes would seem an unlikely pairing. Yet it provides a surprisingly fun Christmas-themed adventure. These two Victorian tales (albeit separated by about 40 years) provide the basis for an inspired adventure at Christmastime that just also happens to turn out to be a murder mystery as well. With lavish costumes, a few spooky set pieces and some good old-fashioned stage trickery with lights and a lot of smoke machines, it is hard to resist. It returns to the Marylebone Theatre for Christmas after a run there last year. 

The premise is that after Holmes sees off the criminal mastermind Professor Moriarty, he is left adrift in London. People thought he was dead, and he might as well be. Disinterested in the misdeeds of other Londoners, Holmes has even given up on his friend Dr Watson. It's almost as if he has become a Scrooge. Or half a Scrooge, moping about shouting, "bah" in response to any festive greeting. Yet he feels that everywhere he goes, he is being haunted by Moriarty. Meanwhile, Scrooge (of the Christmas Carol fame) has been found by a doctor who suspects there was foul play. 


It helps to know your Sherlock and your Christmas Carol. Although given the number of productions of A Christmas Carol that run during December each year, following along for half of the story should be a doddle. But we get a flash of what makes Holmes so fascinating and the play so much fun, as he quickly sizes up the characters he meets based on small observations of their character. This is first evident when he meets the doctor. He determines that he was poor at an early age, and illness at the time could have killed him. The dead man (Scrooge) was his benefactor. In an instant, you realise this is Tiny Tim as an adult. 

When the doctor informs Holmes there was a diamond on its way to Scrooge before he died, there is just enough to spark interest in taking the case. Then, the story is off and takes the audience on a ride full of laughs, mystery, and mild peril.

A cast of six led by Ben Caplan as the grumpy Sherlock Holmes and Kammy Darweish as Ebenezer Scrooge centre the piece. The others, including Rosie Armstrong and Richard James, play various characters along the way. 

A Sherlock Carol is written and directed by Mark Shanahan and continues at Marylebone Theatre until 7 January.

⭐️⭐️⭐️⭐️


Photos by Alex Brenner 



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