Featured Post

High anxiety: Collapse - Riverside Studios

Image
It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Waiting for Sandy: Milked @WhiteBearTheatre

production photo

Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington. 

production photo

The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His father has a sheep farm but doesn't seem bothered by doing much. Amidst all this idleness and fruitless job searching, Snowy stumbles upon a distressed cow trapped in a local field and enlists Paul's help to lend a hand. At first, to improve things for the cow, but then find the most implausible ways to end the cow's suffering. 

From suffocating the cow in a large plastic bag to chopping down a tree to crush it, it's probably a good idea that there is no real cow featured here. We are left to our imagination about the animal's state. It's like Waiting for Godot if Godot was bloating. But between all the ideas of knocking off Sandy (as they refer to her), a compelling story emerges about why these young men are lost and adrift. The two leads' performances make you feel sympathetic to their cause, even if it doesn't seem plausible (or humane) not to call for help. 

There is also something nice about a production that manages to throw everything on stage - clover, chopped trees, a mountain of job applications and a sofa that looks like the production team might have found on a street nearby. 

Directed by David Bond, Milked is at the White Bear Theatre until 25 January. It's billed as a play with a big cow, two guys and some music. If you ask me, it seems like a good way to start the year. 

⭐️⭐️⭐️⭐️

production photo

Photos by Craig Sugden


Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre