Paul in London

 The Wilmington Theatre Company's debut production of three short comic plays by George Bernard Shaw makes for a frightfully witty and enjoyable evening at the Old Red Lion Theatre . The acting and production values are quite high as infidelity, polygamy and morality are all explored. Often with hilarious results. In the first piece, How He Lied To Her Husband , a wife loses poems written for her by her young admirer. They fall into her husband's hands and his response is not quite what the wife or lover expect. It is a three hander that plays well in the confines of the theatre space and with a focussed cast everyone was hooked. Well almost everyone as there was a couple in one corner that may have got carried away with Shaw's attempts to hold a mirror up to nature and were passionately making out. The second piece, Overruled , covers two adulterous couples who are caught in the act on vacation. The source of the comedy here is the honesty of each of the couple'

Judith Lucy is a household name in Australia. She has done a show, she has done films, she is on crap television like the show above. But until the 1 December she is London at the Soho Theatre doing the thing that made her famous in the first place. Stand up comedy. It is just her, a microphone and some very sensible shoes because as she tells the audience, "My feet are fucked!" She is brutally honest too... Naturally being an Australian act, the audience will be dominated by Aussies desperate for some cultural references from down under (this was part of the incentive to go, along with being reminded of her talent after recently seeing her on film as Merle the racist pub owner in the film The Sapphires ). But none of this should put you off. When Lucy is interrogating the audience she is in her element with her ability to draw laughs out of what could be the most innocent of responses from unwitting audience members in the first few rows of the theatre. You are wise t

Dandy Dick is a mild Victorian farce that is full of energy and wit that you can't help but have a very civilised time. It was written in 1887 by Sir Arthur Wing Pinero and cheap laughs and farce are a priority over satire of witty observations. But it so well-acted and pulled off so stylishly that it is hard not to like, particularly in Richmond Theatre. It is the fist major revival for forty years and tells the story of a the Very Reverend Augustin Jedd, who after a visit from his gambling mad and horsey sister, risks everything at the races. Cue the shenanigans of mistaken identity, runaway horses, romantic intrigue and mystery. There are some wonderful lines about horse meat that obviously had a more innocent meaning at the time they were written, but viewed from the present day conjure up a variety of interpretations. We weren't the only ones thinking this as one lady in front turned around at the interval and informed us that we had her sense of humour. The prod

The hit National Theatre play One Man, Two Guvnors has had a cast change and moved theatres on the West End. Is it still as funny? I have no idea about that as I must have been one of the few people who until this week had not seen the previous cast with James Corden. They are off to take this show to Broadway, and this show must be one of the funniest things you could see on the West End right now. If it were funnier previously it would have definitely needed to come with a health warning... Based on The Servant of Two Masters by Carlo Goldoni, the action is updated from the renaissance to 1960s Brighton with songs by Grant Olding. The update works well with the mad plot and storyline and the costumes and set look great. The music and performance by the resident band "The Craze" gives things and added touch of class. Keeping the insanity together is former understudy to James Corden, Owain Arthur , as Francis Henshaw. He manages to make the part his own. Sitting in sp

John Leguizamo's latest show is in London for the next couple of weeks. It is a chance for him to showcase his ability to impersonate people, dance and tell some pretty funny stories based on his personal and professional life. Relating the experiences of working with Al Pacino, Patrick Swayze and Sean Penn are funny, but it is his personal life stories that are particularly engaging. When he talks about his depression that involves drinking too much coffee and not being able to sleep it, the delivery and visuals take it to a whole new level. It isn't stand up comedy, it's more intense, it's more personal and as it is so coherent and well written it is much more satisfying. He calls it therapy. Whatever it is, it is good value. And it works really well in the Charing Cross Theatre.

After four full days over five days, it was time to bid farewell to Edinburgh and the Edinburgh Fringe (and reviewing for the guys at Whatsonstage.com and The Public Reviews ). Going to the Fringe requires discipline in itself. You need to be able to plan a day of seeing shows, get to each of them in time (and not get lost). And manage to eat and drink something on the way. Sleep is always good too. Adding the requirement to write short and coherrent 200 word review of what you are seen within 24 hours and give it a star rating is really like trying to be too clever for one's own good. Of course nobody reads the reviews (even the performers in some cases). They only read how many stars it has. And the star system could be quite complicated. Not so in Edinburgh. Arriving here Johnnyfox advised of the tendency for everyone to inflate stars and described it in one of his reviews as "reviewers spunking stars up on the wall in order to be bylined on the posters." There

It is possible that the title of the show The Worst of the Late Night Gimp Fight at the Soho Theatre, is one of the funniest things about this show. The singing is patchy, the clothes are a bit scrappy and most of the men look like they need a wash. But gradually over an hour they do kind of win you over with their show. The Godfather sketch (featured above) is indicative of their antics. There are plenty of gimps, and a few piss-weak fights. They could have also worked on the front row a little more as they seemed to be making their own entertainment... The material is good but you get the feeling they could take the comedy a little further and a little darker... Here's hoping they keep pushing those boundaries beyond the obvious... They are at the Soho Theatre until 8 July.

source: http://www.tinac.net/ Not content to see just one show this week at the Leicester Square Theatre , on Wednesday night I was back there with Richard to see Tina C's show Tick My Box . Having seen Dina Martina with Richard, I think he is becoming my drag act buddy. Well since neither of us are English we don't get so uptight about seeing men dressed up as women as much as some of the young gays on the scene seem to do... Anyway Richard is a bit of a Tina C fan and couldn't believe that as a gay man in London I had not seen her show before. Fortunately for me rather than suggest I should have my pink card revoked, he got me a ticket to her show. The premise of this show is that Tina C - a self declared country music icon - is running for President of the United States of America and is after your vote. She isn't red (Republican) and she isn't blue (Democrat) but purple, and she want's everyone to vote purple. Hmmm... Sprinkled through the act are a smatte

The Kransky Sisters tea towel , originally uploaded by Paul-in-London . I went to see the Kransky Sisters Tuesday evening at the Leicester Square theatre and all I got was a lousy tea towel. Well actually... Being a boy from Brisbane I couldn't resist the cultural references. I'm sure growing up I saw that sign countless times on those long (and driving anywhere in Brisbane was long) family drives to dams. Of course you don't have to be from Brisbane to get their weird act, it only helps at the margins... Such as I saw the show with Stephen who is from Glasgow, and I had to explain that it was Wivenhoe Dam not Wife and Hoe Dam. He's going to Australia in a few weeks for a holiday so I figured the Kransky's were a good way to get him used to the place. The Kransky's act starts with a montage of photos to take the audience on a journey to the place where they are from... Esk to be precisely (which is best described as a few hours west of Brisbane rather than a

Dina at Wigstock a few years back... We were treated to the fiddle as well... Thursday evening I was one of the "peeps" who caught Dina Martina at the Soho Theatre . Dina is part typical drag act and part something else. With a wig that looked like it was inspired by one of Liza's fights with Gest , makeup inspired by a clown, and a belly that was all his/hers, it was pretty out there (or as Dina would say, "Off the charts!")... But as the 80 minute performance went on it was clear that there was a real character in the making and it will be interesting to see her again in a few years. Best parts were the songs with forgotten lyrics, advice on how to deal with global warming (kill or the animals in the sea as that will make the water levels drop), and the mispronounciations of words. I particularly liked the soft "g" in her segment of the show called "gifts to give" which became "jiffs to jiv"... Thanks to Dina, I will try and work