Paul in London

Arriving early at the National Theatre to catch a preview of FELA! on Wednesday evening was a good idea. The band was already playing and they sounded so cool. It was such a contrast to the hillbilly rock-a-billy music playing in the theatre foyer, which was being enjoyed by a group of pensioners and a smattering of eccentric dancers who looked as if they were on day release. Who knew that one building could cater to so many tastes? The Olivier Theatre just felt like the place to be. That is no mean feat given the size of the place. Art, graffiti, lights are everywhere and there was the band with its cool beats and sounds... When FELA! finally gets started, it tells the story of Nigerian musician and political activist Fela Kuti's last night at his Shrine club in the late seventies. Part concert, part dance, part rambling dialogue, and part musical, what is brilliant about this show is its ability to give context to the man and his music. The show weaves in the events that

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The shows in London are always full of awfully talented people. Here is one in which I haven't seen but just love the poster. I suddenly have this urge for rib eye (or it could be really thick rump I suppose), even if I'm not so sure about the hand model... The play is apparently based on a Tennessee Williams short story and it is dark obsessive tale set in an abattoir  office. It's at The Albany  in Deptford next week and the Giant Olive Theatre at the Lion and the Unicorn in Kentish Town the week after. Vegetarians may wish to steer clear...

Sunday afternoon was a chance to venture to Hoxton Hall to see the musical Bright Lights, Big City . For the second day running, this was another great cast in a a great production. The music (which I had not previously heard) wasn't that bad either. Musicals usually have a set format but this is not your traditional quirky heterosexual musical, but a hard core, full-on journey through one man's drug-fuelled sordid week in the eighties. Naturally big hair and big glasses abound, but with the everything eighties seemingly fashionable again it all seemed a natural fit in the surrounds of Hoxton and the East End. It was like spending a cool afternoon in your living room with a concept album that came to life. The cast were all great, particularly Paul Ayres as the lead, Jamie, and Jodie Jacobs as Vicky. Watching it with Johnnyfox , he was less sure about to make of it. He was off that night to see the concert version of Company so I thought it might be helpful to make a compa

Tomorrow Morning has been playing at the Landor Theatre in Clapham North for the past month and is a great little show. It is a four-hander musical about a young couple (well sort of young since  Jon Lee is one half of it) getting married, and an older couple getting divorced. I don't want to say the second couple is old as it appears the couple getting divorced are no older than me and have fabulous jobs and tight fitting suits. Despite the divorce and the child custody issues you still get a sense they are living the dream though slim cut tailoring... The show was first presented a few years ago and has gone through some revisions since then. Here it is presented as a very slick engaging production with an incredible cast. Heading it up with Jon Lee is the lovely  Julie Atherton along with Grant Neal and Yvette Robinson . The performances make this show very memorable and the production is one of the best looking I have seen at the Landor. The set comprises of a series of s

The BBC has caught on to the trend of Speed flat-dating  (or speed flat-mating... Actually either sound a bit suspecting). Here's hoping that stories like this will reduce the need to explain to partners you don't live with what you're getting up to... Trying it over the summer when looking for a place I found it was great. It's less pressure than a real date as everyone has name tags which indicate what area they are looking for and what they are offering / prepared to pay so everyone knows where people stand and you don't have to trundle down confusing streets at night to meet new prospective flat mates. Of course you still might need to do that, but there is something reassuring about a familiar face at the end of dark road. All that is left is to your partner for instance that you are going out for a speed-dating-like experience to find a flat share... It's not a good idea to say your going out drinking if you don't usually do that. But I met a rea

After catching  Onassis the Play at the Novello theatre  on the weekend, I found I rather enjoyed the smooth and dirty talking central character. On one hand it is a silly play that goes on a bit. On the other hand it is entertaining with some great dialogue and an engaging performance by Robert Lindsay in the title role. And there is also Tom Austen, playing the surly son Alexandro, stripping down to his underwear for a nighttime swim. It all makes for a great night out. Whether it is a  realistic depiction  is probably up for debate. The women in his life - Callas and Jackie O - are more caricatures than real people here. And when things start to get interesting dramatically it is another excuse for some Greek singing. Historical moments fly by as the play moves from being set on his boat to his island. It all seems very glamourous.  There are some great monologues in the play, including one where Onassis talks about how his experience being sodomised as a young man made him

Woman (to security): Ooh you have such a big head... And that hat makes you look like a baker...

Woman 1: Aaah know you know her! Woman 2: Well I do and she's like you and me... Woman 1: She is? Woman 2: Yes she's a little bit german a little bit Flemish a little bit Scandinavian Woman 1: And her husband? Woman 2: Well she's divorced you know... Woman 1: Aw such a shame...

I was really in the mood for watching Theatre of Horror at the Southwark Playhouse Thursday evening. Maybe it was the skin biopsy I had a lunchtime that put me in the mood. There I was, watching chunks of flesh being taken out of me and put into little jars, blood dripping down my leg and feeling the stitches forcing it all back together. At one point the doctor said, "Oh you turned your head at just the right time," as I watched a little slice of me going in a jar. The shows were tame compared to all that, but still in the same vein. The first piece, "The Exclusion Zone" started off incredibly disturbing about a young couple wanting to have some fun in the woods. It was a nice ride until the end song, which was inaudible and hard to understand the connection to the previous twenty minutes. The second piece "The Unimaginable" was a slightly creepy monologue about people who swipe your children. After mentioning parents who go out to the theatre and le