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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Grim New Year: Sweeney Todd Preview

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2012 looks set to be delightfully grim if this teaser trailer for the Sweeney Todd musical is any measure... It opens at the Adelphi in March 2012... But it won't be all blood and murder... I'm off to see Cirque du Soleil's Totem tonight... More later...

Theatre: The Importance of Being Earnest The Musical

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The Importance of Being Earnest, The Musical currently playing at the Riverside Studios Hammersmith , turns out to be a nice little Christmas surprise. The show with a book by Douglas Livingstone and score by Adam McGuinness and Zia Moranne takes Oscar Wilde's play and turns it into a brisk and witty affair that captures the essence of the comedy while feeling like a distinct show in its own right.

Music and Advertising: Millbank Tower

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In case you missed it, Millbank Tower earlier this week served as a showcase for a light show and performance by Deadmau5 to mark the launch of the new Nokia Lumia smartphone . Maybe this landmark building is getting a new groove (albeit through a phone and operating system that is a bit boxy)...

Theatre: Crazy For You (and those legs)

After a successful run at Regents Park Open Air Theatre this summer, Crazy For You is now at the Novello Theatre. I saw it at Regents Park and was not so crazy about it then . Now in a theatre and away from evening chills, planes flying overhead and the occasional moth, it is a chance to ignore those distractions and focus on the vibrant singing and dancing, and spectacular costumes. There is so much energy on stage conveyed through a series of spectacular dances. Legs kick, flip and dance their way through nearly three hours of entertainment.  You will be exhausted just watching it.

Theatre: A Round-Heeled Woman

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A Round-Heeled Woman has just transferred from the Riverside Studios to the Aldwych Theatre. It is an opportunity for Sharon Gless (of Cagney and Lacey fame) to portray through part monologue / part drama the true story of Jane Juska. Juska is a woman who placed an advertisement in the The New York Review of Books that read: "Before I turn 67 – next March – I would like to have a lot of sex with a man I like. If you want to talk first, Trollope works for me."  The play, which is based upon Juska's book, goes through some of the encounters that lead to love, heartbreak, rejection and laughs. The audience on Friday night was not prepared for the humiliation arising from this situation. There were audible gasps when one of her male suitors tells her why she needs to get some lubricant.  But the sharp wit and brutal incisiveness is frequently undermined by a superfluous supporting cast that have little to do, and a set so distracting that it has your mind wondering to ask q

Theatre: Revenge of The Grand Guignol

It was a bloody night at the Courtyard Theatre Hoxton where I finally managed to catch Theatre of the Damned's Revenge of the Grand Guignol. Well it is not all blood and gore, but these four stories all have enough thrills, laughs and shocks to have you and the ice within your favourite beverage all aquiver... So much so that when the lady in front of @johnnyfoxlondon and I blew her nose, we both jumped. Last year's show in Camden was great, but this year was even better with stories that are even more compelling and some great performances. There is a melodramatic story about a mad doctor, a pensioner with a buried secret, a long distance relationship gone wrong and a beautiful woman trapped in a munitions factory. All of the stories have in common the ability to turn something ordinary into the unusual. And through some rather clever lighting and sound effects, even when things seem fine, you were on the edge of your seat. The show is part of the London Horror Festi

Games: The Show Must Go On

 Thursday evening I found myself at the launch event for The Show Must Go On , which is a rather nifty little game that brings together opera, cheap laughs and the iOS platform. Given all three are favourites of mine I downloaded it . It is very cute and quite amusing little game, recreating Covent Garden and backstage at the Royal Opera when everything goes wrong. The game puts you in the shoes of a stage manager and includes a series of mini games. Within these you have to undertake a variety of back stage tasks in order for the show to go on. I particularly liked running over the rooftops of Covent Garden chasing sheet music and dodging pigeons. Depending on how well you do, depends on how good the show is. So far I have only created rubbish shows... The game might be trying to tell me something but I will ignore that for now and keep practicing... An interesting collaboration between the Royal Opera , including its sound technicians singers from the Jette Parker Young Artist p

Theatre: Three Days in May

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Three Days In May, is about the period shortly after Churchill becomes Prime Minister in 1940 and when Britain contemplated whether throwing in the towel and negotiating peace with a stronger, more powerful Germany was an option. It is currently playing to healthy audiences at the Trafalgar Studios . An early surrender seems today to be an unthinkable prospect. But at the time France was powerless to stop the German invasion and worried that without surrendering they would be annhilated. The British were outnumbered and feared suffering a humiliating defeat at Dunkirk. The play therefore unfolds with this context and debate. There is nothing like a bit of Churchill to get people standing to attention nowadays and reflect upon glories past. Or at least perceived glories past. As the play notes, Churchill commented that he expected history to be kind to him as he intended to write it. So it is a shame that the play doesn't attempt to throw more grey on a dark period in the country&#