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Bare emotions: Gods and Monsters @swkplay

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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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Once more without feeling: Again @Trafstudios

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The nuclear family seems to be a little unstable in Again. Presented by Mongrel Thumb , Stephanie Jacob’s intriguing new play explores the underbelly and soft belly of family relationships. Just as you think everyone’s coming together they explode into rage. Or crack a bad joke. And then they do it all over again. But with less rage, more rage or acceptance. It’s currently running at Trafalgar Studios. Presented as a family reunion after a period of estrangement, nothing is what it seems to be. Scenes start and then restart as multiple perspectives play out. Is it the mother’s wish, the son’s wish, the father or the daughter? In the end you can’t be sure any of it happened. But slowly it pieces together a story of fractured family determined to get things right. Or get their own way.  Tom (Chris Larkin) has deserted his wife Louise (Natasha Little) for a younger woman. Their son (Charles Reston) spends most of his life in the library and studies poetry. Their daughter (Rosie Day) i...
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Opera and full frontal nudity: Rigoletto

David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand...
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