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Heart and music: Don Black's From The Heart at the Garrick Theatre London

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By his own admission, it took about 30 years to bring this song collection to the stage, but Don Black’s From the Heart has been worth the wait. With a vibe designed to evoke a New York cabaret venue, albeit on a slightly grander scale, the piece showcases Black’s ingenuity in creating deceptively simple lyrics, along with his love of music and comedy. It’s running for a limited time at the Garrick Theatre .  The premise is simple: to capture the feel of New York’s cabaret venues. A series of songs, mostly new ones written for the show, run through a variety of moods. With each song running a little more than three minutes, the show moves briskly. Each offers a chance to appreciate Black’s economical lyrics, flashes of deadpan comedy, and occasional inspired choices, such as rhyming sex with the (artist) Lautrec.  A classy ensemble also brings these songs (and the stories they tell) to life. Clive Rowe delivers the first laughs with a song about doctors. The song is simpl...
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Bare emotions: Gods and Monsters @swkplay

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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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Buttocks up: Derrière on a G String at Kings Head Theatre

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A show with a title called Derrière on a G String conjures up all sorts of expectations about the type of smut that you might encounter. And what flesh might be on display by some unsuspecting performers. But fortunately, we’re at the Kings Head Theatre in Islington, not some seedy location elsewhere in London, so there isn’t much to fear. What we have is a mostly silly dance-and-movement spectacle set to classical music.  If there is a way to describe the piece, it would be: a day in the life of a young man (played by Sammy Moore), surrounded by his friends, told through dance and movement and comic sketches. There’s waking up in the morning and getting to work, waiting for a bus, builders on a construction site, swimmers getting a bit frolicsome, and party goers getting nasty. Things take an interesting turn with ladies shaving in the bathroom and men tap dancing while farting. It all is done in the best possible taste, with only the occasional flash of a buttock. Moore has a na...
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