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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...
Concert: Barenboim plays Bach

Sunday Afternoon caught Daniel Barenboim playing Bach's Preludes and Fugues from Book 1 of 'Das wohltemperite Clavier'. Translated that is "the well-tempered keyboard". The first hour were numbers 1-12, then after intermission there were 13-24.

It was a sellout concert given Barenboim's mega-star status. There was a long queue waiting in vain for returns. Inside the hall, it was just him, the Steinway and the preludes and fugues.

On stage there was magic. There was also a bit of tapping and fancy footwork, which initially was a bit distracting. The hands may do the hard work, but the rest of his body seemed to be locked in a constant struggle with the counterpoint. I didn't have the best vantage point and wished I was sitting on the other side so I could see his hands (rather than the body of the piano) but I guess you can't have everything...

He has just released a CD of this as well, which he was signing at the end of the concert. I assume that with the amount of tapping onstage that he must have worn shoes with rubber soles in the recording studio.

I do think there is a limit to the amount of Bach one can take in in an afternoon and during the second half of the concert my mind began to wander. Scanning the audience I noticed that I wasn't the only one getting restless as there was some serious fidgeting and moving about going on. Running into a colleague from work after the concert there was agreement with this sentiment. I had to go home and listen to something less pretty and complex. So I passed on the signing of his new CD, leaving hundreds of others waiting in line...

And then...

During the Bach concert while my mind was wandering I decided that I would give the memorial service for D that was on today in London a miss. There is nothing like Bach to get your mind straight and your thoughts in order...

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