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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Opera: Tosca

Monday night I caught the new production of Tosca at Covent Garden. There are two casts so I did not see the now infamous (non)star turn by Angela Gheorghiu but a fantastic performance by Catherine Naglestad who could act and had the voice for such a dramatic role. I got the ticket as A decided to swap his tickets for tonight with Saturday's final performance with Gheorghiu (and thankfully ignoring the advice from the opera house staff that he already had tickets to the better performance).

The opera sinks or swims on the strength of the soloist in playing the title role. Thankfully Naglestad was a tiger and not a Romanian kitten. Perhaps she turned up to rehearsals so she knew what to do with the heavy dress she was burdened with for the second and third act. She also was never drowned out by the orchestra. These were things you would think you would take for granted when going to see something at Covent Garden, but apparently they were missing at Saturday evening's performance …

As for the opera itself, Tosca has everything I look for when I want opera – high drama and great music – and this new production looked great and sounded great.

The biggest applause was saved for Fabio Armiliato in the role of Cavaradossi – who stepped in to replace for the remaining season Nicola Rossi Giordiano, who has had to withdraw due to illness. The production finishes this week.

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