Movies: Le Long Weekend


Scene from "Eating Out 2". That is Adrian in the centre... Guy from American Idol and Rebekah Kochan are either side...

All has been quiet over the past few days as I have been taking a few days off work and just enjoying springtime in London. I have also caught a couple of screenings at the London Lesbian and Gay Film Fest at the newly refurbished BFI Southbank

On Sunday it was a collection of shorts filmed in Britain, but it really should have been called Made in London. Most interesting of the films was one called Le Weekend which featured an irritating and sexually ambivalent Frenchman (is that a tautology?) who also is a film maker. The premise is that he comes to London to do a film school assignment and ends up wandering around central London with the help of a friendly (and rather fit) local. It all ends in tears (sort of) but in the meantime there are some great locations of Soho and surrounding areas.

On Monday it was a charming film called Eating Out 2: Sloppy Seconds. Actually any film with Mink Stole in it can't be too bad. And it was a well made sex comedy about a gay man who pretends to be straight to attract the attention of a rather ambivalent man who happens to do modeling for their art class. This was a repeat screening and a lot of people commented on Sunday how Marco Dapper who plays this ambivalent man was rather appealing. Well it takes all sorts I suppose...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

Fluffing it: Rouge @Underbellyfest

Image
It's not enough for a circus act nowadays to offer a series of acrobatic feats. Nowadays, they are pushing all sorts of conventions. There's the all-male, the all-female, the all minimalist. Rouge is the all gender fluid pan-sexual circus for grown-ups who like a bit of everything. But only if that everything includes a little bit of nudity and a bit of mild titillation. 
The men wear eyeliner, the pairings are male-female, male-male and female-female.Strong female types abound throughout. It's a unique concept that's marred by its own timidity. It's currently playing at the Underbelly Festival on the Southbank.
The performers are interesting enough. There's the aerial trapeze, the ring, and the strap. All are deftly executed. There's a terrific flame swallowing routine which seems all the more intense in the confines of the Spiegeltent.
An inventive sequence happens where the performer is wearing a lampshade and combines hula hoops with a frantic strip dance …
Read more...

Swatting: The Flies @BunkerTheatreUK

Image
The Flies at The Bunker theatre is a chance for production company Exchange Theatre - which specialises in translating plays for English audiences - to return to the piece that put them on the map. With live music, video and eye-catching design, it’s an ambitious piece. But it seemed to miss any sense of drama. And it’s star actor Meena Rayann was off too.

Jean Paul Satre’s take on the Oresteia and the Electra myth, was written during the Nazi occupation of France. Fast forward seventy years, it's tempting to equate today’s new nationalists with yesterdays fascists. But it's a lazy comparison given the grand themes under exploration here. It feels more like an apparent dig at Nazi occupation, organised religion or group think over fake news, immigrant bashing and economic hardship.


It opens where two travellers approach Argos, a town where everyone is in mourning. One is Orestes in disguise. The city has become a dark place cursed with flies as punishment from the Gods since …
Read more...