Movies: 2 Days in Paris

2 days in Paris was pretty good. Written directed and starring Julie Delpy it was a bit like a French Annie Hall. It may not be such a great movie to see if you are single, with all this angst on screen about being in a relationship and being alone. Catching it with Mandy (who is single too) she didn't have as much a problem with that but rather that the characters didn't stop talking. Well they were New Yorkers. I just found it great therapy. It showed that there is hope for all eccentrics out there to find somebody just as weird. The funniest scene involved no dialogue on the metro as they were getting spooked by a crazy guy with no sense of personal space. Oh the memories of Paris that came flooding back (even if when I was there I knew the crazy guy). Shot on the streets of Paris I have made a mental note to get back there once the new Eurostar link opens in November. Sure Waterloo looks great in The Bourne Ultimatum but the Eurostar from St Pancras looks even better...

Scenes from Soho Wednesday

Scenes from Soho Wednesday, originally uploaded by Paul-in-London.

It seemed fitting on the day it was announced that dining in London is more expensive than anywhere else in the world... To eat out...

Well, it was Busabai in Soho. Rather than do what another boy from Brisbane (well he is from Logan which is just outside of Brisbane and like Peckham but less pretty) did and get arrested on suspicion of racial abuse of the staff, we just started taking photos of the other diners who were well fit...

Dance: Alvin Ailey American Dance Theatre

Source: http://www.alvinailey.org

In a week with a head cold from hell (which meant no gym, a lot of rest, and no socialising), it was somewhat of a relief to get out and see Alvin Ailey American Dance Theatre at Sadlers Wells on Saturday night. Arriving at the theatre with the above artwork plastered all over the theatre (and most of Islington), I expected little was spent on the costume budget. But in a programme set to legendary jazz music, it turned out to not be the case. This was a bit of a relief as after a week of coughing and spluttering who needs to have somebody else's physical fitness rubbed in your face?

After the first interval I caught up with Fliss who was there with her posse. Fliss signed up to see the show on the strength of a viral video that was doing the rounds in the past month. I was there just for the artistic enrichment (plus I got a great seat at good price). Well that's my story and I'm sticking to it. Anyway I joined them the first interval onwards as a seat filler in the stalls. And while the view of the stage wasn't as good, the view of the stalls was much better and there were some pretty nice views there... Fliss and I also managed to bitch about some of the production team seating by who only vaguely managed to resemble their photos in the programme.

Anyway I digress... Setting dance to the music of Duke Ellington and others can only be a good thing and it was a great evening. I was even grooving along at various points. Afterwards I passed on a chance to dine with the posse in favour of more drinking and more jazz... It was probably not the best idea after a decongestant with pseudoephedrine (and may have explained the in-seat grooving) but what the hell. Regardless of what substances I was under the influence of, it still was a great night. They are in London until the end of this week before touring the rest of the UK. Definitely one to catch... And most of the seats at Sadlers Wells are pretty good...

Benefits of a tube strike

, originally uploaded by Orhan*.

1. You can walk home while the weather is still good
2. Save money on travel fares
3. Excuse to get home early and watch the sultry Nigella flog Waitrose products on the BBC

News: Nobody's going anywhere

Nobody's going anywhere, originally uploaded by thegareth.

Unless you can take shanks's pony, the next few days are going to be a bit of a nightmare... Until today I had no idea what shanks's pony was... I had to look it up... So there's a word for the day...

Overheard from a family on cycles in the park...

• Your seat looks really comfortable
• I don't know why you wanted to start the day cycling at 5pm
• I wanted to go out much earlier but everything's closed
• Aw come on mum...
  

Scenes from Kensington Palace Gates Saturday 18:42

010920072370, originally uploaded by Paul-in-London.

That's the trouble with being the people's princess... The people can be a bit cheap and tacky with their memorials made out of cereal boxes, old newspapers and ball-point pens... Ten years after dying in some car tunnel thanks to a pissed Frenchman, the display at Kensington Palace must be the most hilarious thing in town at the moment... Cheap, tacky and nasty... And that's just the women (of a certain age) there pushing and shoving you if you take too long to read the messages (or photograph them)...

All that was missing was "Die Camilla die"! Don't miss it... Those ASDA flowers won't last the weekend...

Theatre (again): Little Me

Source: http://www.nymt.org.uk

In a packed week of theatre I also caught a youth theatre production of Little Me which actually was pretty good when you realise it was put together in under two weeks. The night I saw it the sound was a bit off and I couldn't help but wonder what drag queen they stole those wigs from. But Sarah Hagan was lovely as Belle Poitrine... As much as I was able to hear her...

Theatre: The Emperor Jones

From http://www.nationaltheatre.org.uk/

Tuesday night I had the chance to see The Emperor Jones at the National Theatre starring Paterson Joseph. The production originated at the Gate Theatre in 2005 and has been pumped up and given the usual National Theatre treatment such as loads of cast members on stage for no comprehensible reason, shirtless men, gigantic sets, and a large percussion orchestra. Most of the time that is enough to make a show enjoyable but this time I kind of wished I had seen the original production rather than this monster one. Sure the jungle beats were infectious (and so loud that nodding off even during a bit of a dull exposition was only temporary) and Joseph gives a great performance, but it all seemed like it could have benefited from remaining a bit smaller scale...

The play is about a southern American conman Jones, who establishes a dictatorship in the West Indies, only to find himself facing a people's revolt. It made Eugene O'Neil famous. But it isn't the jolliest night out at the theatre as paranoia, madness, dance and shirtless men take over. It is however a short descent as the entire performance lasts about seventy minutes without an interval.

Watching it with Fliss, she commented if she was going to blog about this piece she would just say... "Hmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm... That was interesting" and "Hmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm... The black men sure were fit". They sure were. I don't think she would rate it as one of her most entertaining nights out... Even if we both were grooving along to the jungle beat... I suggested to her that perhaps she might have found it more entertaining if it drew more relevant parallels to the present day with the music of today... Maybe a few samples of Jungle Boogie. At least then you could groove out of the theatre...

Scenes from Chinatown Sunday 18:20

260820072286, originally uploaded by Paul-in-London.

One lady. One large package... Strangely in focus...

Scenes from a barbeque Saturday 18:06

250820072271, originally uploaded by Paul-in-London.

Bank holiday weekend barbeque conversation starters:

• Hey there is sun... That's new for summer...
  
• Is there normally this much smoke in coal-fired barbeque?
• Has the fire alarm gone off yet?
  
• How do you like my sausages?
• Are my meat patties brown enough for turning yet?

Theatre: Take Flight

It turned out to be the second time in about a month that I saw a show featuring Amelia Earhart. The first show was An Air Balloon over Antarctica that I saw in Melbourne and which is now getting fabulous reviews at the Edinburgh Fringe. I thought that show was a bit crap with very uninteresting characters, but that just goes to show how much I know...

Anyway this show is a musical about flying planes featuring the Wright brothers, Charles Lindbergh and Amelia Earhart. It is having its world premiere at the Menier Chocolate Factory but it has been in development for a while. I guess songs about engine drag, staying awake and 3.14 squared just don't cut it with investors. It was and obscure choice for a musical but I'd heard word that the songs and the production were good, so I went and saw it with John. John was glad I wanted to see this as he couldn't think of anybody else who would. I was just glad he got there before me and grabbed a good seat since the seating is unreserved...

But we both were curious about the show created by musical theatre veterans David Shire, Richard Maltby Jr and John Weidman... So how was it?

Well, at times during the longish first act both of us wondered if we were watching some Sondheim-esque show like Sunday in Glider with Orville (minus the depth and agonising torch songs). Getting up at intermission (to go directly to the bar) we realised that an hour and twenty minutes on fringe theatre seats is more than anyone's bottom should take. But there was a consensus that the performances, music and the overall production were pretty good. Still it was weird subject matter for a musical. And the camp interpretation of the Wilbur and Orville Wright made me wonder what those two brothers really were getting up to in those sand dunes in North Carolina.

By the second act however things started to take... er... off and work a lot better as Amelia Earhart's story comes out more. It is the strongest of the three stories and a pity that it isn't the central focus of the show. Amelia had a pretty interesting life before she ran out of fuel in Papua and went pffft. Then again there were loads of potential possibilities for this show including having a set design that didn't look like the basement of an old chocolate factory but I guess we have to take it for what it is.

Definitely a show worth catching, particularly since there are plenty of deals about to see it for under £20. And now that the Chocolate Factory has air conditioning (which helped one dry out from the torrential downpour that lasted the short walk from London Bridge) there won't be any more repeats of last year's hand-held fan theatre... Now that's an a major technological advance worth writing about...

Overheard on Clapham High Street

Fat man on phone (walking into Tescos): Look I don't want excuses from you anymore I want results...

Scenes from Soho Square Sunday 18:43

190820072216, originally uploaded by Paul-in-London.

Soho Pride was a quieter affair this year... With the light drizzle it did tend to put people off... Well some people anyway...