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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Theatre: The Author


The opportunity arose on Friday evening to see the new play The Author at the Royal Court Theatre. Not knowing anything about it, except my suspicion that more than just a few bloggers would be there, I was up for a night of mystery theatre and suggested to Gio that we should go. Even better was that it was short so we wouldn't have to suffer the inedible food at their bar / cafe and could go eat somewhere else. There is a trend in sophisticated theatres in London to serve pretentious overly fussy small servings of food made from ingredients that would be better off going into cans of dog food. The Royal Court is leading this trend...

But anyway, we arrived to see that there were two facing tiers of seating... No stage. Opting for the one facing where we walked in, we sat down and waited for something to happen. Sure enough, the actors were already in the theatre. They were sitting among us. Actor number one, Adrian Howells starts speaking to people and saying how gorgeous we all are. He says hello to everyone in our row but us and then somebody in the seats opposite asks a question and he ignores her. She then proceeds to pull out a notebook and write what could have been a shopping list. I thought it was part of the act, but in fact she wasn't one of the other actors. There begins what is roughly 70 minutes of prodding the audience, but not always interacting with them. In fact when the lights go dark and Esther Smith asks if we want to hear her sing and somebody shouts out "No!" (another grumpy blogger I suspect) she sings anyway...

The purpose of all this no doubt, was through a series of monologues to shock the audience about a number of different things including violence, pedophilia and potty words. Part of the novelty of the seating was that you could see the audience's reaction to all of this (including where some walked out). There were some hilariously awkward moments where author and actor Tim Crouch describes his sexual experiences to a young lady next to him. She looks as comfortable as being in a dentist's waiting room. When he asks (as all the actors do periodically), "Shall I go on?" she still says, yes!

While it wasn't everyone's cup of tea it was very well done, even if it could have been a little bit shorter. After all, once you have shocked the audience by shouting "Cunt!" at them four times, doing sexual things with a baby is really more of the same. Well... The four ladies sitting opposite me pulled the same face of distaste at them both. But this sort of play is one where you walk out straight away or go along for the ride... Since I rarely carry a notebook on me, I couldn't write my shopping list so I went for the latter. It was worth it...

It runs through to the end of October at the Royal Court for audience members who are up for it...

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