Featured Post

You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Image
Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p
Theatre: History Boys. Pass it on...

Finally caught The History Boys at the National. It was closing night of its extended run and it was another astonishing piece of theatre. As theatre goes, this has to be as good as it can get. At the conclusion, the audience gave a standing ovation to the cast and playwright Alan Bennett.

The play is described as "an unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university". But there is so much more going on here. Broader issues of Education are explored as just the starting point. This is a play that is full of witty barbs and sharp dialogue that surely will have a place in future dictionaries of quotations. A particular favourite of mine in the second act...

Mrs Lintott (a teacher): Our Headmaster is a twat. An impermissible word nowadays but the only one suited to my purpose. A twat. And to go further down the same proscribed path, a condescending cunt.

At a point later in the second act the actor playing this teacher lost the line and had to be rescued by having it called out offstage, which temporarilly broke the spell of the performance. But the cast as an ensemble worked so well together during the near three hours they were onstage, that this stumble was soon forgotten. Besides, there was so much memorable dialogue to take in.

The play is due to go to Broadway and tour Australia next year, but surely this play has even more future in it. I have an autographed hardcover script as well...

Overheard at the theatre after the play

Mahn #1: I think it is time tea...
Laaydy: Time tea?
Mahn #2: Yes it's the new talk for time to have some tea.
Laaydy: Oh yes well it is probably a good idea since look it's raining now...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...