Featured Post

High anxiety: Collapse - Riverside Studios

Image
It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...
Theatre: House of Bernada Alba

Caught on Monday the National Theatre The House of Bernarda Alba - my second Lorca play in a week (although this one didn't have any Mexican male movie stars)... Actually it was an all women play with the translation by David Hare. It reminded me of "The Women" without the gowns. I was half expecting the line "Chin up, both of em" amongst all the bitchy banter. It didn't come, but there were plenty of talk about class, positions and deadly obsessions.

During one of the intermissions one woman quipped to another, "Oh it's good that Garry didn't come, it's such a woman's show" which is a pity as there is a very exciting passionate and (possibly Spanish) story amongst the banter. Penelope Winton plays the title character who rules a household of women with an iron fist (and occasionally a strap or a whip). There is high drama and the set consisting of a Spanish villa was quite impressive (and imposing from the front row). No story such as this couldn't finish without a bit of tragedy of course, but on the way it was a fascinating time. I wondered what the original must be like. In Spanish it must be pure explosive. The English women were fantastic but at times it was a bit of a sensible play for something that I felt was far more emotional and manic. In some ways with the pristine over-produced set and the smart costuming it was more of an embalming of the text rather than a production, but that's the National for you...

Incidentally there were men at the theatre (other than me), but most seemed to be gay. It must be a Frederico Garcí­a Lorca following... Shortly after he completed this play he was shot by Franco's sympathisers so you have to wonder what might have otherwise been...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre