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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre

Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it.

This is too bad as the performances capturing this coming-of-age moment are terrific. There's the free-wheeling and dirty Keira (Sophie Cox), who films her escapades as proof for her mates, the studious Zainab (Nina Cassells), who is focused on getting good grades to get out of town and the pious Lucy (Lucy Mangan), who isn't sure about what she wants. You never get quite enough time to understand who they are. There is a punch line usually about sex and the scene changes. But guilt, shame and violence never seem to be far away.

It's a simple production, with mulch on the stage and a bright pink ladder planted to depict the old tree the girls would gather under. While not quite the colour, it did seem to evoke the domestic violence benches in parks—a place marked as safe. In this piece, safe spaces are illusory and not even your friends can help you. They have neither the life skills nor the support network. And that's an interesting comment on life in this country. 

Directed by Emma Callander, Playfight is at Soho Theatre until  26 April. 

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Photo by Paul Blakemore

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