Featured Post

Christmas Mysteries: A Sherlock Carol @MaryleboneTHLDN

Image
A mash-up of Charles Dickens's A Christmas Carol and Arthur Conan Doyle's Sherlock Holmes would seem an unlikely pairing. Yet it provides a surprisingly fun Christmas-themed adventure. These two Victorian tales (albeit separated by about 40 years) provide the basis for an inspired adventure at Christmastime that just also happens to turn out to be a murder mystery as well. With lavish costumes, a few spooky set pieces and some good old-fashioned stage trickery with lights and a lot of smoke machines, it is hard to resist. It returns to the Marylebone Theatre for Christmas after a run there last year.  The premise is that after Holmes sees off the criminal mastermind Professor Moriarty, he is left adrift in London. People thought he was dead, and he might as well be. Disinterested in the misdeeds of other Londoners, Holmes has even given up on his friend Dr Watson. It's almost as if he has become a Scrooge. Or half a Scrooge, moping about shouting, "bah" in respon

Theatre: Shuman Plan

On Monday night I was unfortunate enough to find myself watching the Schuman Plan at the Hampstead Theatre. For a major theatre with its own artistic director it was a little odd that they were presenting something that seemed like a high school drama class production. It was earnest enough to be one. The only difference I could see was that it lacked youthful energy and acne. Huge slabs of dialogue were taken up with political history and there was at some point a character playing former PM Ted Heath mincing it up with "Land of Hope and Glory" playing loudly in the background. Oh at this point it is probably worth mentioning Schuman was the French Minister who came up with the idea that would become the basis for the European Union.

A was a bit annoyed that we went to see crap theatre. But I thought it had potential as a story but the writer decided to ignore all that and focus on a polemic about Britain in the EU instead. Schuman didn't feature at all. It was just as well I nodded off at various points in the first half as that made it more bearable. I should have taken heed that the writer's previous work was a musical about the Eurovision Song Contest. Maybe he'll have better luck next time. Michael Frayn was in the audience and served an interesting reminder as to what good writers can do with political dramas (see "Democracy" and "Copenhagen").

On the way home we debated how the critics would see it. I anticipated that it would be a unanimous pan. And the Telegraph, and The Financial Times did, but someone from the Independent thought it was entertaining. Maybe they stayed for the canapes afterwards which did go down well…

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...