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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Film: Volver

Sunday morning I managed to catch Pedro Almodóvar's latest film
Volver. It is such a sweet story of murder, revenge and family relationships. All the cast were great, and particularly Penélope Cruz in particular in the lead role. Although having her star in a movie as a woman poor and scrubbing floors seemed out of place. She is too glamorousus for that. It reminded me of seeing Marlene Dietrich wearing an apron cookin' up a meal for Edward G Robinson in the movie Manpower - it was just plain wrong. Perhaps things are different in provincial Spain...

Casting of Cruz aside, it was a great film. And her rather perky cleavage feature thoughout the film at key points. My favourite line was said by a supporting character to her about their plan to take over a bar and restaurant: "Between my mojitos and your cleavage we'll make a killing"... I'll drink to that.

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