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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Theatre: Thérèse Raquin



An advised that I could learn a lot from Thérèse Raquin in a similar way that I learned a lot from Belle Du Jour. Well after finally seeing this production I suspect the central message is not to live with your mother in law.

Adapted from Emile Zola's play, it is a great story about a woman and her husband's friend who conspire to kill the husband so they can be together. In the opening minutes of the first act, Charlotte Emmerson as Thérèse mostly pouts and isn't given much to do. I was wondering what was the appeal of the pouter. I was also starting to get a little bored with this production. That was until Ben Daniels (as Laurent) stuck his hand up Emmerson's dress. Neither actor is particular attractive but there was this electricity that suddenly made the audience snap to attention.

It was a pity there weren't more touches of this throughout. It felt at times to be a bit too polite and mannered as if were a play about herbal teas and dominoes instead of murder and adultery. I would have much preferred a more gruesome and atmospheric fare and less of the standard issue bland sets the National is famous for... Fortunately there were more tears before bedtime and the second act moved swiftly to its sensibly bleak end. It finishes its run soon...

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