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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Movies: Man On Wire



Monday night (after getting over a weekend of stomach flu) I caught the doco Man On Wire about Philippe Petit's high wire walk between the Twin Towers in New York City. There was something nauseating about watching Petit on screen. He wasn't the most likeable of subjects, and irritating to the point that you would want to punch him... But even assholes have their purpose. In the long planning for this stunt, they shot some fantastic footage (including of the World Trade Centres) and it is the slice of life from the times that makes it worth watching. The story about the reaction of New York to the feat is interesting as well (although much more brief)... Now if only we knew why none of the conspirators talk to each other today? Or why that Australian man was semi-nude in one scene? And in the days pre-cheap flights, how did they afford all these flights? At least the title was explained by the end of the film... Worth catching while it is still in cinemas, if you can stomach the subject (not the heights)...

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