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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Movies: Man On Wire



Monday night (after getting over a weekend of stomach flu) I caught the doco Man On Wire about Philippe Petit's high wire walk between the Twin Towers in New York City. There was something nauseating about watching Petit on screen. He wasn't the most likeable of subjects, and irritating to the point that you would want to punch him... But even assholes have their purpose. In the long planning for this stunt, they shot some fantastic footage (including of the World Trade Centres) and it is the slice of life from the times that makes it worth watching. The story about the reaction of New York to the feat is interesting as well (although much more brief)... Now if only we knew why none of the conspirators talk to each other today? Or why that Australian man was semi-nude in one scene? And in the days pre-cheap flights, how did they afford all these flights? At least the title was explained by the end of the film... Worth catching while it is still in cinemas, if you can stomach the subject (not the heights)...

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