Front door conversation stoppers...

Pushy man from Npower: You know we are so much cheaper than British Gas
Paul: Yeah but what are your kilowatt hours like?
Pushy man from Npower: Uhhhhhhh....

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Bare emotions: Gods and Monsters @swkplay

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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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Opera and full frontal nudity: Rigoletto

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Once more without feeling: Again @Trafstudios

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The nuclear family seems to be a little unstable in Again. Presented by Mongrel Thumb , Stephanie Jacob’s intriguing new play explores the underbelly and soft belly of family relationships. Just as you think everyone’s coming together they explode into rage. Or crack a bad joke. And then they do it all over again. But with less rage, more rage or acceptance. It’s currently running at Trafalgar Studios. Presented as a family reunion after a period of estrangement, nothing is what it seems to be. Scenes start and then restart as multiple perspectives play out. Is it the mother’s wish, the son’s wish, the father or the daughter? In the end you can’t be sure any of it happened. But slowly it pieces together a story of fractured family determined to get things right. Or get their own way.  Tom (Chris Larkin) has deserted his wife Louise (Natasha Little) for a younger woman. Their son (Charles Reston) spends most of his life in the library and studies poetry. Their daughter (Rosie Day) i...
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