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Grief and fluff: Tiger @OmnibusTheatre

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Death is something we all will face. After all, nobody gets out of here alive. But how do you get past it when grief is all you can feel? And this is the premise of Tiger, currently playing at Omnibus Theatre . It's a fascinating exploration of the stages of grief. And with a terrific cast to take you on this journey, it's an endearing and sweet story that has you engaged from the start, wondering what will happen next.  We are introduced to Alice (Poppy Allen-Quarmby) as she gives a stand-up routine. It's not particularly funny and starts to veer into the topic of dying. Something isn't right. She used to be good at this but can't move forward. Soon, she is back in her London apartment with her partner Oli (Luke Nunn), discussing that they need to get a lodger to make ends meet.  Oli is a doctor working night shifts at the local NHS hospital. Alice is not ready to face a return to stand up or anything. So when the first potential lodger arrives (Meg Lewis), looking

Movies: W



It was funny to see at the end of Oliver Stone's movie about the failure known as George W Bush's Presidency the words "the end". Bush is still in office, but the movie serves as a comforting reminder that not only is he a lame duck, but that the end of a weird eight years is nigh...

It also is a reminder about the collective administrative and leadership failure over eight years. Iraq is at the forefront here but any number of the administration's policies could have been used. The movie portrays Bush as a likeable guy in a struggle for approval from his father. Unlike previous Stone biographies, you don't really care whether this is accurate as there is too much pleasure to derive from the knowledge that this analysis is bound to piss off the Bush family...

Josh Brolin is great in the title role, but it is a pity that the other actors seem to be more playing dress up than developing characterisation. And what is going on with Jeffrey Wright's eyebrows? I didn't know Colin Powell used tweezers? We also don't get much insight as to why he was popular and won two elections... I guess it probably serves as a reminder that it is entirely plausible given the options the American people would not hesitate in electing a likeable but stupid guy again in future... Now there's a happy thought...

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
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Fantasies: Afterglow @Swkplay

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Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
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