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Take me to the world: Hide and Seek @parktheatre

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In a small town where everyone knows everyone, if you don't like it, you might feel that the only logical thing to do is to disappear. Especially if you think it will help your social media rankings. The loneliness and isolation of youth meet influencers in the wild in Tobia Rossi's Hide and Seek. And while events take a darker turn, the humour and the intimacy make this piece about youth on the edge (of trending) fascinating and enjoyable. It's currently playing at Park Theatre .  Mirko (Nico Cetrulo) is exploring a cave with his camera when he stumbles on Gio (Louis Scarpa). Gio has been missing for a while, and the town has been looking for him. But Gio is more interested in how much he is trending on TikTok. He also had a crush on Mirko. Soon, they establish a friendship and a bond. In the cave, they explore feelings they would not dare share outside. However, things turn darker when Gio is confident enough to leave the cave, while Mirko doesn't want his double life

Theatre: Blood Brothers



I mentioned earlier this year to Grant and a few others in the chorus, that I had not seen Willy Russell's musical, Blood Brothers. The reaction to this statement was like one of those scenes in a movie... You know like in a western, when a stranger walks into a bar and the music stops, people gasp, and everyone looks up and stares... I was committing musical heresy apparently, even if a show about two guys who turn out to be brothers and then die wasn't high on my list of things to see...

Well Grant was determined to rectify this oversight, so on Friday I found myself at the Phoenix Theatre where this show has been playing for a very long time... Blood Brothers tells the rather melodramatic story of two twins separated at birth. They grow up only knowing each other as friends and one goes to Oxbridge and becomes a Councillor, while the other goes mad (some may be confused about whether there is much of a contrast here). Eventually thanks to the love of a girl and shoes on a table (lucky it wasn't wire hangers), it all ends in tears.

I was told that I would be a hard man to not to be upset by the ending. Well throughout the show I was upset by loads of things such as the lack of characterisation, the entire role of the narrator and his dirty shoes (a downside of sitting too close to the stage) and the constant spelling out in big letters the class differences (which is done a lot better in Billy Elliot). But what saves this show is the central character of the mother Mrs Johnstone.

Grant was disappointed that one of the Nolan sisters wasn't performing as Mrs Johnstone, since over the years I think every single one of them has played this role. But we got something far better. We got last years X Factor finalist Niki Evans. Evans came fourth in the show last year. She seems so perfect for this role and gave this show the lift it needed. Evans own story as told on X-Factor last year was emotional enough. She was working as a dinner lady before going on the show last year. But it is not just her story and her pitch-perfect singing that makes her interesting. It was also her ability to deliver the most incredibly emotional performance, that had the audience on its feet cheering her at the end. Here's hoping that we see more of her on stage in the future, as she was nothing short of sensational.

It is always possible to get good discounts to the show, and the show is worth catching while Evans is in the run... Even the most jaded theatre-goer would be hard not to be impressed by this turn...Then again I am always a sucker for stunt casting...

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