Featured Post

Bit parts: Garry Starr Performs Everything @swkplay

Image
Garry Starr Performs Everything is a bare-bones (and bare buttocks) tribute to the theatre. Theatre may be in trouble, and audiences are down, but Garry Starr aims to save the theatre and bring back to the masses every style of theatre possible. As long as each style involves wearing a transparent white leotard or a skimpy thong. And tassels. It's part comedy, part physical comedy and part perv at Gary's physical prowess. The sentiment "if you've got it, flaunt it" applies here. So here we are with a show that has been around for some years and is having its first proper London run at the Southwark Playhouse (Borough) through Christmas. The premise is that Garry Starr (played by Damien Warren-Smith) has left the Royal Shakespeare Company over artistic differences. He is now on a mission to save the theatre from misrepresentation and worthy interpretations by doing things such as a two-minute Hamlet, recreating scenes from a Pinter play using unsuspecting audience

Theatre: Blowing Whistles


source:www.blowingwhistles.co.uk

I had not planned to see Blowing Whistles which finished this week, but an acquaintance had his date bail on him and I was called in as backup... While waiting for a very long time in the cold while the Leicester Square theatre got the place ready (the previous show didn't finish until the scheduled starting time for Blowing Whistles - 9.15pm), all was revealed. After innocently asking, "So who stood you up tonight?" I heard a great story about a date ambivalent about gay plays and the scene. I wondered whether part of the problem was that they had both seen In a Dark Dark House the night before and date was now seeking therapy... Who knows with the gays these days? Maybe the guy was too assimilated to see a gay play. Anyway he bailed and everyone else my acquaintance asked was busy... Except for me...

While we were waiting in the cold it was an opportune time for taking photos of the long line of mostly gay men waiting for the theatre to open... And to text mates who had seen the show to check which side was the best side to view the full-frontal nudity. Actually in the end it didn't matter as we practically second row centre and could see quite enough of everything... And besides I much prefered the acting talents of Paul Keating... Particularly when he was in pants...

All told the play by Matthew Todd is very witty and incisive, and very well acted. It looks set to have a life of its own now as gay Doll's House. And I couldn't help but see paraellels with an ex who seemed a lot like Stuart Lang's character... which gave (at least for me) the right amount of creepiness to feel my skin crawl throughout key scenes in the second act.

Finally there were the little touches that I particularly liked. It felt like it was set around the corner from where I lived given the references to Clapham North, the high street and The Sewers. And (ahem) having been in a place or two around that area, it made me wonder (purely based on the size of the window in the set) whether the characters lived on Landor Road... I can't recall being at the theatre where a play could speak to you so much... Now if only I could work out what it all meant... I might take coffee in Clapham tomorrow to think about it further...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...