For a natural process, death is not a topic that comes up naturally for people. We ask how people are doing but expect the response to be “I’m great”, not “I’m not dead yet”. And so for the main character in A Brief List of Everyone Who Died, Graciela has a death issue. Starting with when she was five and found out only after the matter that her parents had her beloved dog euthanised. So Graciela decides that nobody she loves will die from then on. And so this piece becomes a fruitless attempt at how she spends her life trying to avoid death while it is all around her. It’s currently having its world premiere at the Finborough Theatre . As the play title suggests, it is a brief list of life moments where death and life intervene for the main character, from the passing of relatives, cancer, suicides, accidents and the loss of parents. Playwright Jacob Marx Rice plots the critical moments of the lives of these characters through their passing or the passing of those around them. Howeve
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Movies: Suddenly Last Winter
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It has been awhile since updates on the blog, but there was a recent trip to Rome, general business, and a lack in interest in seeing anything cultural in London that partly explains that. Well anyway the cultural endeavours returned big time this week with a trip to the Barbican on Wednesday night to see the documentary Suddenly Last Winter, which traces the ill-fated journey of legislation to give equal rights to same-sex partnerships in Italy.
I never went to any gay bars while in Rome, and arriving at the Barbican full of gay Italian men I wondered if they were like this... Albeit with more flattering lighting and better coffee. Actually it was probably better not to visit them given they seem to attract firecrackers and molotov cocktails at the moment... Anyway the documentary was a personal account of a gay couple who traced the journey through the Italian Parliament of legislation that could have given Italy civil partnerships. Watching the documentary with a London audience, it was tempting to laugh and feel smug and superior at how people interviewed on the street equated homosexuality with abnormality or the end of civilisation... Or a mixed
doubles match in tennis... But what I found more fascinating was the complete failure of those in support of the legislation to have been prepared to respond to the onslaught of attacks from conservatives and from the church. The movement seemed unable to respond when conservatives equated civil partnerships as an attack on the family, and nobody wanted that... During the Q&A with the filmmakers
afterward, they highlighted not only how inept the political movement on the left is, but also how fragmented the gay and lesbian movement is. Still the filmmakers made this story so engaging and at times a little frightening. It was not necessarily the picture postcard of Rome that people would expect...
Then again as an Australian from a country where there is no sign of civil partnerships ever coming up on the agenda soon it all did not seem that surprising or shocking. One of the most socially liberal of states Victoria recently caved in to allow broad exemptions to anti-discrimination laws for religious groups. If rights cannot even be established for individuals, it seems probably a stretch to see them extended to partners anytime soon. I guess for now I can always stay smug and superior in London while thinking of Australia as the place where you put the clocks forward nine hours and put the calendar back twenty years...
There was a glimmer of hope in this documentary. One politician commented that five years earlier any debate on civil partnerships... Time will tell if there is a moment in the next ten years whether it will be possible to move further...
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue . Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple. The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Iranian-Canadian musical theater actor Ramin Karimloo is known for his work in the West End, performing in The Phantom of the Opera and Les Misérables, as well as debuting the role of the Phantom in Andrew Lloyd Webber’s Phantom of the Opera sequel, Love Never Dies. Recently he finished a run playing Valjean in Les Miserables on Broadway and gained attention for not just his vocals but his physical strength. He is back in London and getting ready for a show (tonight) at the Palladium on 16 July. Later in the year he will be joining Victoria Hamilton-Barritt and Kerry Ellis in UK premiere of the off-Broadway musical Murder Ballad at the Arts Theatre. The Palladium show will be another opportunity to see Ramin and his band mix country and bluegrass with musical theatre (and vice-versa), after sellout shows at Islington’s Union Chapel in January. I sat down with Ramin shortly after his return to London. We talked about the shows, his fitness regime and how he is looking for a goo
