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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Theatre: Shirley Valentine


Just before Easter I managed to catch Meera Syal in the Chocolate Factory's revival of Shirley Valentine, part of its Willy Russell season which also includes Educating Rita. I wasn't particularly in the mood to go and see this play as I was to be packing that evening for a holiday, but there was something about this show that sucks you in and has you hooked.

On one level the 1980s have never been so fashionable. But on another level, when you are watching a show with a set that reminds you of your mother's kitchen, and the first scene involves frying chips and egg (don't go to the theatre on an empty stomach), perhaps it isn't everyone's idea of a great night out. That's a pity as Syal's performance is great and the show is as good as ever (not withstanding the difference of opinions in the audioboos below)...

Willy Russell seems to love the cliches and dramatically obvious but here in this show that is an asset (unlike in Blood Brothers where it is just an embarrassment), particularly when there is the right actor to tell the story. It runs with Educating Rita until 8 May.

Listen!

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