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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Music: Caroline O'Connor

Continuing a season of performers in their prime that have seen Wonder Woman and others grace the West End, it could also be known as "Old broads at the Garrick", I caught the second night of Caroline O'Connor with Johnnyfox and others. Caroline O'Connor, while being world famous in Australia, has also been in a number of West End productions, including the ENO's production of On the Town and Bombshells. This time around it is her on stage with a terrific band and some real nice young dancers. Its a bit cabaret and a bit performance and all brass class.

I realised it has now been ten years since I first saw Caroline O'Connor and she doesn't seem to have changed much at all... She still looks and moves pretty well and still sounds good (if you overlook those occasionally suspect high notes), and is full of such energy and life you can't help but enjoy watching her perform.

In the first half of her show she talked about life growing up in Australia and learning all she could from movie musicals. There was a great film montage of her playing leading ladies from a series of famous movies before breaking into a couple of songs from Mack and Mabel. She also did a great rendition of Zing Went the Strings of My Heart. There were some great jokes and she sent us off to the bar interval on a high.

The second half tended to get a bit bogged down with a set of songs from Cabaret, a rendition of Piaf that threatened to send the audience home with industrial deafness and songs that I couldn't care much about. By the end it felt like an over extended audition rather than a performance. While I love her interpretation of some of these songs, it seems a bit of a shame to exclude music from this century in the set. Maybe the secret to these shows is for them to be ninety minutes without an interval, keeping it short and sharp. It might be also a good idea to throw in a few songs nobody has heard (or can remember) to give it a bit of edge. And next time give O'Connor a venue where she doesn't need a microphone... Actually I'm sure she didn't need it this time either... It runs through this week... Worth going, but bring some earplugs..

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