Featured Post

Eternal guilt: Dorian The Musical @SWKplay

Image
Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Theatre: On The Twentieth Century

Tuesday night was an opportunity to catch the first preview of On The Twentieth Century at the Union Theatre. Cy Coleman's 1978 musical is set in the 1920s (or it could be the 1930s) where producer Oscar Jaffee is trying to score a hit again with his former leading lady, who has gone on to bigger success in the movies.

I had not previously seen this show, but over a pre-theatre fish and chips (or as they tend to call it in south London, fush and chups) at Masters Super Fish, Johnnyfox was waxing lyrical about how wonderfully rich and inventive the overture to the show was. So I felt his disappointment when the overture was arranged by musical director Oliver Jackson for a saxophone quartet and piano. It was still wonderful but not quite so rich. Actually throughout the show Johnnyfox was mostly singing along so I could sense it was going to be one of those evenings where I would be experiencing quite a lot of audience participation...

Anyway, this was the first preview and no doubt the performances will get better as the run progresses, but as a Twentieth Century virgin I had a great time. The performances of all the leads were great and I particularly liked Rebecca Vere as the star Lilly Garland. I last saw her in Batboy and comic timing and vocal range are perfectly suited for this role. She also looks great (although not that you can tell from the above cast photo). Valda Aviks also had a little star turn as the nut Letitia Primrose. It was particularly nice she singled out Webcowgirl as in need of repenting for a life in the cheap seats.

If there was one quibble it was that the staging of the show could have made more of the confined space of the Union Theatre, rather than spanning such a length that watching the show felt like being at a tennis match. But this still is a classy little show and an excellent little diversion over the Christmas period (particularly if you don't fancy seeing a panto).

On The Twentieth Century continues at the Union Theatre, until 15 January 2011 (no performances 24/12-3/1) Tuesday-Saturday at 7.30 and Saturdays and Sundays also at 2.30. Tickets typically £16.50 (£13.50 concessions). Box Office 020 7261 9876, or with a fee from TicketSource.

Audioboos from the jaded and usual suspects are as follows:
Listen!

Listen!

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre