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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Opera: Parsifal



Wednesday night was an opportunity to catch the ENO's Parsifal. This 1999 co-production with San Francisco Opera and Lyric Opera, Chicago and is purportedly the last time it will be staged. There are seven more performances to go.

Directed by Nikolaus Lehnhoff, What makes the opera a standout is the brilliant staging and imaginative English translation. This translation transforms this production and keeps things moving at such a pace you won't realise you have been there for over four hours. On top of this there is such spectacle at times it is almost hypnotic.

A stunning cast includes John Tomlinson as Gurnemanz, Australian tenor Stuart Skelton as Parsifal and Jane Dutton as Kundry. Mark Wigglesworth conducts.

Wagner is still an acquired taste, but this probably goes some way to make this work accesible (and palatable). Leave work early and go. There are greater powers at stake.

Initial 'boo raves and reactions as follows:
Listen!

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