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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Theatre: Clybourne Park



The first thing that strikes you about this Olivier-award winning play is how great the production looks. You feel like you are transported back into the 1950s in a living room fashionable for that time, and populated by people you would expect to see. As the play gets going however it becomes apparent that this is going to be a darkly comic night at the theatre that looks at property, neighbourhoods and the enduring value of real estate... It was worth finally getting a chance to see it before it ends its run...



To give too much away about the story would spoil the fun but it is inspired (and plays off) the the events that take place in A Raisin in the Sun. While I was not so convinced by the sentiment of the first act (which seems trite and overlong), the humour that comes from the skirmishes between the couples was hilarious. But the second act was like watching a different play. Here the comedy is relentless and explosive. The performances of the ensemble bring out the best of the material and the audience were in hysterics.

I'm not sure what the central message of the play is, but it sure made you leave feeling like you should buy some property in a neighbourhood that you may not feel like you belong in just to mix things up a little... It's playing now at Wyndham's theatre until early May...

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