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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Opera: Cendrillon



Cendrillon at the Royal Opera looks great and has a great cast. Joyce DiDonato in the title role is a delight as the strong willed Cinderella. Eglise Gutiérrez as the fairy godmother looks like she would be as much at home on the stage of Priscilla Queen of the Desert as she would at Covent Garden (although she sounded a lot better of course)... She looks like she is having fun waving her wand and watching the magic unfold...

Alas the opera is heavy going for a fairy tale. Part of the problem is that telling the story of Cinderella for three hours requires some memorable music and some frightfully comedy. The direction is somewhat inspired and wrestles out as much comedy as is probably possible. This includes a very wicked Ewa Podles as stepmother. But what is left is a piece that could do with some merciless editing, and perhaps removing a subplot, trimming an aria (or two) and one of the ballet sequences... That would probably make it not just family friendly, but friendly to everyone...

It is also rather brave to stage a show in the summer in this country called Cinderella. I've noticed that people tend to insist (although less so for Rossini's La Cenerentola) that anything called "Cinderella" just has to be a panto and will stubbornly refuse to attend unless it is around Christmas... But it would still make a sensible evening out... There is also a BP Summer Screens presentation of it on the 13 July, so there is a chance to try it before you buy it completely too...

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