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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Sneak previews and gospel singing: The Amen Corner

This week I was lucky enough to catch a rehearsal of the first act of The Amen Corner, which starts previewing at the National Theatre next week. Within forty five minutes it is fascinating to see even in rehearsal how all the elements of the story are laid out.

The play is set in Harlem in the 1950s and tells the story of a fiery pastor Sister Margaret whose estranged husband unexpectedly returns. Combined with the antics of her son her congregation is soon in revolt against her hard line leadership.


Written by James Baldwin, it was his first attempt at a play and covers the role of the church in African American families, along with how racial prejudice led to ingrained poverty amongst the communities. Jazz and gospel singing features throughout the piece and this will include members from the London Community Gospel Choir.

Even in rehearsal the cast and performances from both some new and familiar faces will be sure to enthral. After the rehearsal we were trying to work out when this play was staged in London. It possibly was staged in the 1970s at the Tricycle Theatre, but in a time of economic crisis and questions around hard line religion, it is perhaps time for the show to have its run in London.

One to discover and also part of the £12 Travelex season... Check the website for details of the run...

More details on the show are in the following...


Background to the photoshoot is below...

Photo credits: Marianne Jean-Baptiste (Sister Margaret Alexander) and Eric Kofi Abrefa (her son, David). Photo by Richard Hubert Smith.

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