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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Sneak previews and gospel singing: The Amen Corner

This week I was lucky enough to catch a rehearsal of the first act of The Amen Corner, which starts previewing at the National Theatre next week. Within forty five minutes it is fascinating to see even in rehearsal how all the elements of the story are laid out.

The play is set in Harlem in the 1950s and tells the story of a fiery pastor Sister Margaret whose estranged husband unexpectedly returns. Combined with the antics of her son her congregation is soon in revolt against her hard line leadership.


Written by James Baldwin, it was his first attempt at a play and covers the role of the church in African American families, along with how racial prejudice led to ingrained poverty amongst the communities. Jazz and gospel singing features throughout the piece and this will include members from the London Community Gospel Choir.

Even in rehearsal the cast and performances from both some new and familiar faces will be sure to enthral. After the rehearsal we were trying to work out when this play was staged in London. It possibly was staged in the 1970s at the Tricycle Theatre, but in a time of economic crisis and questions around hard line religion, it is perhaps time for the show to have its run in London.

One to discover and also part of the £12 Travelex season... Check the website for details of the run...

More details on the show are in the following...


Background to the photoshoot is below...

Photo credits: Marianne Jean-Baptiste (Sister Margaret Alexander) and Eric Kofi Abrefa (her son, David). Photo by Richard Hubert Smith.

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