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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Wicked thoughts: The Widowing of Mrs Holroyd @OrangeTreeThtr

The Widowing of Mrs Holroyd at The Orange Tree Theatre is an exciting start to new season at the Orange Tree Theatre. The audience is made to feel as if they are eavesdropping on the drama in this working cottage where a family is falling apart.

Set in the Nottinghamshire mining community in 1914, DH Lawrence has created a moving piece of working class woman in an abusive relationship.

After an evening where he brings home two ladies after a night of drinking she wishes he was dead. She soon gets her wish and then suffers guilt.


It's evocative, if a bit laboured, particularly in the second half where the death, guilt and shame for wicked thoughts and being above one's station is the focus point of the story.

But it is also nicely acted, particularly with Ellie Piercy as the righteous Mrs Holyroyd.

Jordan Mifsud, as the slightly hunky electrician (a job above the position of her husband) delivers a subtle performance as a man who tries to convince her to leave with him.

Perhaps a prelude to the upheavals of the twentieth century and further rights for women, it is a fascinating portrait of a community and way of life that has been lost to time and industrial development.

It runs at Richmond through to 4 October.

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