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The agony and the misogyny: Banging Denmark @finborough

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Banging Denmark, the comic play by Van Badham, answers the question, what lengths does a misogynistic pickup artist go to date with a frosty Danish librarian? It may be an uneasy farce given the subject matter, but it is made more palatable by the cast assembled to convince you of it. It's currently having its European premiere at the Finborough Theatre .  It opens with Guy DeWitt (Tom Kay) at one end of the stage. His real name is Jake, and he's a part-time podcaster whose expertise is misogyny and playing the role of the pickup artist. That is, someone who attempts to coax women into having sex with a mix of flattery or manipulation. His podcast attracts a variety of involuntarily celibate men (or incels), so call in asking for advice. And while he gives the impression of living the high life, he is in a grimy flat strewn with empty pizza boxes.  At the other end of the stage is feminist academic Ishtar (Rebecca Blackstone). She lives out of the photocopy room, losing all her

The family way: The Etienne Sisters @stratfordeast


A reunion with an estranged half-sister at their mother's funeral provides the backdrop for an unlikely musical subject in the Etienne Sisters at the Theatre Royal Stratford East. The sisters accompanied by jazz pianist Nikki Yeoh perform admirably in this sophisticated and slick show even if the music doesn't feel like a perfect match to its subject matter.
Written and directed by Chè Walker, with songs by Anoushka Lucas and additional songs by Sheila Atim, the premise is that Tree, Ree and their estranged half-sister Bo are reunited at their mothers funeral. She decides to move in to comfort her sisters but tensions and resentments from the past begin to surface. 

Bo likes to do crazy things. She may have stolen a necklace. She may have stolen a serious amount of cocaine from a local dealer. But she is the life of the party. Tree and Ree seem much more reserved.

The jazz soundtrack by Anoushka Lucas is effective at times in setting the scene, but less so in driving the story forward. And when you would expect the music to drive forward heightened emotions, instead we just get narration from the characters. 

The creative decision to use jazz does not always gel with the characters. There is a grittiness in Bo's character that seems to be crying out for something musically rougher and stronger, even if Allyson Ava-Brown makes sure that she is a memorable character with her larger-than-life portrayal.

As Ree and Tree, Jennifer Saayeng and Nina Toussaint-White have great vocals and presence and can also hold their own with the complex solos and harmonies. 

The piece was workshopped at Theatre Royal Stratford East in September 2014 and is having its world premiere here now. It has been given a slick treatment here with giant projections and minimalist staging. It looks and sounds great. But perhaps the sum isn't greater than all the respective parts of it... For now... 

The production runs through to the 3 October. On Tuesday 29 September there is a free post-show discussion with the cast and creative team. 

⭐️⭐️⭐️


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