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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Bump in the night: Botallack O'Clock @ORLTheatre


Botallack O'Clock brings to life the creative struggles of Roger Hilton in a funny and dreamy production. Insomnia has never seemed so inspiring and lonely as the dead of night comes to life.

Towards the end of Hilton's life he turned to producing works using poster paint on paper. He worked mostly throughout the night on these works, along with writing letters to his wife and various other musings. This piece brings together these items to explore his struggles and his demons.






The title of the show comes from a poem by W.S. Graham, "Lines on Roger Hilton's Watch" and refers to the dead of night.

We are introduced to Roger lying on his bed. There is a bottle of whisky nearby and pots of paint, discarded paper and other rubbish is strewn about the floor. Magically the radio suddenly comes to life and is offering Roger the chance to be on Desert Island Discs.

As Roger, Dan Frost cuts a lanky and awkward man fumbling around in the darkness moving from painting to musings about pickles. It is an intriguing performance as he moves about the space that is his tiny room. One moment he is talking about music and the next he is talking about his experiences as a young man in France. And George Haynes as the man on the radio proves an equally entertaining foil.

Written and directed by Eddie Elks, you feel as if you get a real sense of Roger and his struggles as art, women and past experiences collide. Adding to the atmosphere is the evocative lighting by Christopher Nairne and set design by Ken McClymont.

Botallack O'Clock runs at the Old Red Lion Theatre through to 6 February.

⭐︎⭐︎⭐︎⭐︎

Photo credit: Production images by Zanna Wharfe





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