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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Bump in the night: Botallack O'Clock @ORLTheatre


Botallack O'Clock brings to life the creative struggles of Roger Hilton in a funny and dreamy production. Insomnia has never seemed so inspiring and lonely as the dead of night comes to life.

Towards the end of Hilton's life he turned to producing works using poster paint on paper. He worked mostly throughout the night on these works, along with writing letters to his wife and various other musings. This piece brings together these items to explore his struggles and his demons.






The title of the show comes from a poem by W.S. Graham, "Lines on Roger Hilton's Watch" and refers to the dead of night.

We are introduced to Roger lying on his bed. There is a bottle of whisky nearby and pots of paint, discarded paper and other rubbish is strewn about the floor. Magically the radio suddenly comes to life and is offering Roger the chance to be on Desert Island Discs.

As Roger, Dan Frost cuts a lanky and awkward man fumbling around in the darkness moving from painting to musings about pickles. It is an intriguing performance as he moves about the space that is his tiny room. One moment he is talking about music and the next he is talking about his experiences as a young man in France. And George Haynes as the man on the radio proves an equally entertaining foil.

Written and directed by Eddie Elks, you feel as if you get a real sense of Roger and his struggles as art, women and past experiences collide. Adding to the atmosphere is the evocative lighting by Christopher Nairne and set design by Ken McClymont.

Botallack O'Clock runs at the Old Red Lion Theatre through to 6 February.

⭐︎⭐︎⭐︎⭐︎

Photo credit: Production images by Zanna Wharfe





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