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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Singing out: Alexandra Da Silva @pizzapheasantry


Alexandra Da Silva returned last week with her show La Petite Divatante at the Pheasantry in Chelsea.

For a little lady she has a big voice and the show is an opportunity to show off her musicality. And make a little fun of her height. She sings Part of Your World from The Little Mermaid with new lyrics by Christina Bianco about being too short to enjoy the sun.

But it is her reflective ballads linger with you. Her vocal, which at times has a country feel, gives these pieces extra emotional pull.


Particularly poignant was her performance of the song about 9/11, I'll be here (from Ordinary Days). Her interpretation of the lyrics and tender delivery underscored the emotion of the piece.

There is added excitement when joining her she is joined onstage by Caroline Gregory and they sing the duet from Sideshow I Will Never Leave You.

These moments work well and contrast with the bigger, brassier and showstopping numbers that fill the rest of the list.

It is refreshing to have a song list in cabaret that draws from so many recent Broadway shows. She deftly handles the comic possibilities arising from singing Killer Instinct (from the musical Bring It On) and Screw Loose (Cry Baby).

Reprising her comic turn from the Kander and Ebb revue The World Goes Round she also performs Ring Them Bells and Cabaret. They are so enjoyable it is hard to resist them becoming a singalong...

Her bubbly personality and infectious enthusiasm makes the evening a delight. If there is anything missing it would be a dialogue with the audience explaining why these songs mean so much to her. But with music director Joe Louis Robinson and Phil Donnelly on guitar, things are kept at a brisk pace. So there isn't much time to dwell on this.

Alexandra Da Silva does not yet have a long list of credits to her name, but her comic and dramatic potential makes her someone to watch. Hopefully we will get the opportunity to see her on the stage again soon.

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