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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Passing strangers: Off The Kings Road @JSTheatre

Off The Kings Road. People come, people go. Nothing happens. Or perhaps not much happens. This isn't Grand Hotel in terms of melodrama or scale. Instead, there are two people in their autumn years trying to get over the past and move on. Oh and there is a hooker, a camp hotel clerk and a dodgy psychiatrist to Skype with.

It is an interesting concept. But you get the feeling this small-scale production feels a bit crowded with all these characters. Perhaps played as a two-hander it might have given us the chance to get to know the two main characters more.

Michael Brandon plays Matt. He has come to London from California for a holiday after the death of his wife. He has brought his Valium, mouthwash and a sex doll. He is a man trying to get over her passing. He has plans to do all the things they would have wanted to do. Go to the park, go to a gallery. Live life.


He decides to stay at a less luxurious place in London. For anyone who has searched hotels in London, less luxury is usually the standard. But here the place is called Off The Kings Road. It seems to be single-handedly run by an eager-to-please Freddie (Luke Pitman making a very likable off-West End debut). And unusually for cheap no-name hotels in London, it looks quite smart thanks to the resourceful set design by Claire Lyth.

The only other guest in the hotel appears to be a crazy cat lady called Ellen. Played by Cherie Lunghi she gives the character much warmth. And with Freddie playing match-maker you know that by the end of the piece they are going to get to know each other.

But when you're a widower with issues you are going to get sidetracked. There is always psychiatrist Dr Kozlowski available by Skype (Jeff Bridges - giving new meaning to phoning in a performance). And then there is the lure of the tart cards in every phone box in Chelsea. This is where prostitute Sheena (Diana Dimitrovici) comes in.


I didn't buy the character of a prostitute, or that he would use one of them to call up a prostitute. Tart cards usually tout women who are often trafficked to work in the sex industry. It does not seem like they should be a side character in a play about a rich man's late life angst.

The piece hangs on the performances of the two central characters. Brandon and Lunghi work well with the material. And it is nice to see a play that tackles the subject of older age, loss and loneliness in a fun way. It would have been better to focus solely on these.

Writer Neil Koenigsberg had a career in PR in the entertainment business before moving into producing and writing. He recently produced a documentary featuring Jeff Bridges. He has also been friends since high school with Brandon.

Directed by Alan Cohen, Off The Kings Road runs at the Jermyn Street Theatre until 25 June.

⭐︎⭐︎⭐︎

Photos: production photos by Pamela Raith


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