Featured Post

Prayers and thoughts: The Inseparables @Finboroughtheatre

Image
The Inseparables brings Simone de Beauvoir’s posthumously published novel to life. It traces a lifelong friendship between Sylve and Andrée, two unconventional girls who grew up in a stifling world where being a woman meant getting married or entering a convent. With a quick pace and engaging performances from the two leads, it is a journey back into the 20th century that captures two unconventional women trapped in a conventional world that will have you reflecting on how much or little things have moved on in the last century. It’s currently playing at the Finborough Theatre .  We’re introduced to Sylve praying for her country, France, to be saved from the war and indoctrinated into the world of faith and obedience. But too smart for all that, her life was full of detached guilt and boredom. But when she meets Andrée, a new arrival at her school, she is struck by how different she is from everyone else. She was burned in a fire and had a passion for life that nobody else she knew...

It's not the work, but the stairs: The Life @swkplay


Whores with hearts of gold are back on stage with this slick and star-powered production of The Life at Southwark Playhouse.

It's a musical about the sleazy underworld of prostitution and pimps of the 1970s / 1980s New York set to songs from the 1930s. Well, it felt like they did, and it was hard to tell which one was out of place.

But even if the piece isn't a documentary of sex workers in the city, it presents a joyful set of tarts and pimps as an opportunity to celebrate being alive. Or at least being alive enough to take seven men in a single night.

Combined with a great cast and one of the best looking and best sounding productions in the Southwark Playhouse make it a worthwhile trip.


The story is pure melodrama. The girls are on 42nd Street not because they're in the money, but because they need the money. Their men are either hustlers, pimps, addicts or a combination of the three.

There is Queen (T'Shan Williams) and her lover Fleetwood (David Albury) who have come to the city to make money. She is the working girl and he keeps having nightmares of his tour of duty in 'nam and needs drugs to ease the pain.

Meanwhile Mary (Joanna Woodward) has just got in town from Minnesota. And she isn't as sweet and innocent as she looks.

And there's opportunistic hustler Jojo (John Addison) who is always got a scam going.

The other girls fill out the story. But it is Sonja, played with deadpan hilarity by Sharon D Clarke, who gets the biggest laughs as the oldest girl in the oldest profession.

As a showcase of talents of the cast, the show soars. It also sounds great under the musical direction of Tamara Saringer.

But at three hours it is less successful at being a piece of musical theatre.

Director Michael Blakemore re imagined his Broadway production for the smaller space of The Southwark Playhouse. It works well and the (ahem) action is often in your face. The book's also been revised although more ruthless editing and removing a few songs and characters might have given this piece an edge.

The Life is at the Southwark Playhouse until 29 April. It comes with a warning that the production contains strong language, violence and partial nudity. But it's all done in the best possible taste. These sex workers are stars after all.

⭐︎⭐︎⭐︎



Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...